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Bruised Fruit: Hiding the Truth

Written By The Mountain Eagle on 9/26/24 | 9/26/24

By Max Oppen

Trust is fragile. Once broken, discarded, damaged, and disregarded, you lose a part of yourself—at least I have. When all you have left is your word, being trustworthy gives you a sense of self-worth and identity. Even when you're penniless or homeless, being honest feels better than being a destitute, homeless liar.

I've lied since I was very young. It's hard to admit. I guess we all lie at some point in our lives—those "innocent" white lies we tell others, like about Santa Claus, the Easter Bunny, or the Tooth Fairy. For some, that's where lying ends. For others, it's a training ground—a way of life to build upon and practice. Looking someone in the eye and making things up on the spot without blinking takes practice.

I was eight years old when I caught my mother carrying bags of wrapped presents downstairs to put under the Christmas tree. That was when I knew Santa wasn't real. I didn't immediately think my parents had been lying to me forever, but I did feel let down. A piece of my childhood magic had been erased, and the innocence of my youth began to chip away. That must be how my family feels about me now—let down.

When trust is lost in a relationship, I'm not sure it can ever be fully rebuilt. It's like a mudslide in Northern California that covers a road and suffocates people in their cars. The mess may be cleaned up, the road rebuilt, and the slope reinforced, but the event is never forgotten. Maybe it's different with immediate family. Maybe it's not. I don't know yet.

I became good at lying. I grew into a good manipulator - so good that I didn't always know I was doing it. After a boot camp of distrust, being a functional addict is where I ended up. Everything fell to pieces after that due to the progressive nature of addiction. It's a real war staged inside your head. I was constantly battling myself, trying to stay ahead of my own bullshit. It became a weight I carried - an invisible boulder weighing me down as I attempted to navigate the life I had built for myself with others.

When I was kicked out of my mother's house, I had been living there rent-free and spending my money on drugs. This was during COVID-19. It's painful to think about all the damage I caused. These were my people, my tribe. These people were always there for me, no matter what. But "no matter what" now mattered. When Bob Marley sang, "You can't run away from yourself," he was spot on. No amount of drugs I consumed could ever undo the mudslide I caused. I used drugs to shake reality. I wanted no part of it. It's a terrible Catch-22. Make mistakes, lie, do drugs to forget, mess up, get arrested, lose jobs, lose loved ones, burn bridges, and do more drugs to try and erase all the feelings of inadequacy, regret, and sorrow. Drugs are good for killing the pain, if only for just a moment.

Sometimes, people see you for who you are. And what they see isn't pretty. Some people I know think I'm crazy for writing these columns. And that's ok. I must live in the light, not behind a closed blind, peeking at imaginary shadows. I must open the doors and windows and bathe in the cool air and sunshine. I need to acknowledge what a terrible person I was and hold myself accountable for all my bad choices, one day at a time. I am a good person who made some genuinely awful mistakes over and over again.

This summer, I didn't want to live anymore, and I nearly accomplished my goal. Ironically, coming that close to removing myself from this planet gave me more insight into who I was and who I had become than anything any therapist ever said to me. Now, on Sunday, September 22, as I write this, I want to live. I have 56 days clean today. The sun is shining, my door is open, and my blinds are up. It's a gorgeous day.

I'm about to join my community and cover the 12th Annual Cruisin' on the Mountaintop Car Show in Tannersville. It's just steps away from where I live. Instead of hiding behind a curtain in a dark room with a crack pipe in my hand, I'm going to be a part of something. I want to be a responsible human being and a productive member of this mountaintop I call home.

Some may whisper, "Hey, there goes that drug addict reporter," and that's fine. Go crazy. You need to have thick skin to be a reporter anyway. Plus, manual labor and staying clean have helped me heal. I feel my body getting stronger, and the honesty and tears help me heal emotionally. This column isn't just about helping others, though. Step 12 of Narcotics Anonymous says, "Having had a spiritual awakening as a result of these steps, we tried to carry this message to addicts, and to practice these principles in all our affairs." It asks you to apply these principles in every part of your life and to help others struggling with addiction. While I've only completed the first step "officially," which is admitting that I'm powerless over my addiction and that my life has become unmanageable, I know I can make a difference and help others.

It's not just in my head either. People pull me aside and say I'm brave for doing this. My editor and I get emails from people who have had people with an addiction in their lives or who have experienced what I've gone through, thanking us for sharing this message.

Being an addict and thinking you're only hurting yourself is a really selfish way of living. Through my drug use, I destroyed not only my life but others' lives, too. My addiction consumed me—nothing else mattered. But now, things are starting to matter. No matter what, I will not use drugs today. As the days pass, I feel more connected to myself. It's funny, even now I have to be a little selfish—I have to focus on myself because if I don't love myself, there's no way I can ever truly love anyone else or be loved by anyone. Building back trust is an uphill battle, and I want to be clear headed and present for the fight. 


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A Conversation About: Shrooms

By Jean Thomas

This week, the podcast, “Nature Calls, Conversations from the Hudson Valley” drops the first of a two part conversation about native wild mushrooms with John Michelotti. John may be familiar to many of you, as he is the founder of Catskill Fungi, in Big Indian. He’s a widely respected mycologist (that’s mushroom expert) and in addition to teaching and traveling to educate the rest of us he operates the commercial kitchen on Route 28 known for the giant mural of colorful, you got it, mushrooms!                                                                              

Ordinarily, at this time of year we’d be roaming around the woods and stream banks ooh-ing and aah-ing at all the different kinds of mushrooms. Not so much this year. There’s been a lack of rain, and moisture is the trigger for a lot of these little characters to pop up. I have seen chicken-of-the-woods a couple of times, but not much else. The chicken-of-the-woods are a great big exuberant eruption of orange ruffles that are very popular. I even saw some for sale at an area farm store. They are, however, just about the only “shrooms” I know by name. And I’m not curious enough about how tasty wild mushrooms are to go out and hunt them. My gourmet mushroom experience includes a nice mushroom omelet and, when I’m being extravagant, a sandwich with a Portobello mushroom.  Sometimes I’ll make a casserole with cream of mushroom soup. If you’re so inclined, though, almost every county’s Cornell Cooperative Extension office has experts who lead guided walks to learn about the many kinds available. Our area is apparently loaded with varieties of yummy edible ones. Well, they’re all edible. It’s just that some can make you sick or kill you.

Of course, we aren’t limited to wild mushrooms. There is a whole industry of mushroom growing commercially. There may be a “mushroom farm” near you where you can buy fresh “shrooms” once in a while, or (my choice) you can buy compost consisting of the (usually horse) manure they were grown in.  Or you can join the millions who send away for spores (kind of like seeds) to inoculate (plant) into special logs. Once you inoculate the logs, you store them outside somewhere special and wait. Often for months. Then the mushrooms grow, you pick them at the proper stage, and you cook (or dry or preserve) them.  It is amazing how many kinds of edible mushrooms there are that you can grow at home from materials purchased from safe suppliers. Oyster, shiitake, wine cap, lion’s mane, and even chicken-of-the-woods are among the many available to hobbyists.

There is also a whole pharmacy of benefits to be found among the various mushroom types. Not for beginners, though. The experts have dedicated years to learning about the various qualities of the different mushrooms, and the best ways to use them. It’s fascinating to study the infinite variety among mushrooms and their codependence with other plants, but don’t get overconfident. Find an expert. The Catskills are full of them. Experts and mushrooms, both.                                                                                              


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CREATE to Host Annual Fundraiser ‘On The Table’ - Weekend of Events Planned to Highlight Local Arts Community

CATSKILL —  CREATE Council On The Arts is excited to announce the launch of the nonprofit organization’s annual fundraiser exhibition with a host of fun opening events and festivities planned for the first weekend in October. CREATE has chosen the occasion to highlight their mission to nurture the greater arts community with “On the Table,” an exhibition co-curated by local artist Deena Lebow and Executive Director Stella Yoon where the talents of our creative community will be on full display. 

Spread throughout CREATE’s two floors of gallery space, the “On the Table” exhibit features artwork ranging from one-of-a-kind place settings by local artists for an Imagined Dinner Table to Napkin Sketches created by artists near and far. There will be a showcase of work curated around the theme throughout the gallery. Fundraising events include a special, ticketed Preview Party on Friday, Oct. 4th from 5-8pm in which guests get a first look at the exhibit, place bids on place settings on auction, and get first pick of Napkin Sketches available for purchase while enjoying snacks and sips from some of our favorite local purveyors. 

An opening reception will be held on Saturday, Oct. 5th from 2-4pm with a special appearance by our local Kitchen Shrink, Tamar Adler who will be answering all your culinary questions. “On The Table” will also have a special installation of artist Maria Manhattan’s personal  “Napkin Sketch” collection. Manhattan will present an artist talk later in the month along with a whiskey tasting by author Carlo DeVito on Friday, Oct. 25th from 6-8pm. 

Featured artists in the “On The Table” exhibition include: Abbie Zuidema, Andrew Pellettieri, David Flynn, Fern Apfel, Gretchen Kelly, Jordan Baker, Kiki Smith, Laleh Khorramian, Maria Manhattan, McWillie Chambers, Melissa Weaver, Richard Scott, Susan Simon, Victoria Maxfield, and Yoonmi Lee.

For CREATE’s On The Table fundraiser, local artists were invited to create place settings for the Imagined Dinner Table, a special exhibition centerpiece showcasing a rich variety of local art on view and available for auction. Artists on the table include: Alyson Pou, Becca Van K, Carrie Dashow, Emily Johnson, Julie Chase, Kim Gilmour, Lucy Bohnsack, Mary Anne Davis, Paula Greif, Paula La La La, Rodney Greenblat, Sarah Mijares Fick, and writer Dave King.

CREATE has a fundraising goal of $30K. For tickets to “On The Table” events or to contribute a donation, visit: https://create-council-on-the-arts.square.site/ CREATE is located at 398 Main St., Catskill, NY. 

CREATE COUNCIL ON THE ARTS is a non-profit, arts service organization whose purpose is to support and advance the arts and cultural community by broadening and enriching creative resources and economic growth in the region. CREATE serves as the Statewide Community Re-grant arts organization for Greene, Columbia and Schoharie Counties.

Since 1975, CREATE has provided information and essential services to artists, arts organizations, cultural and educational institutions, civic groups, community agencies and the general public, and continues to grow its outreach as a regional arts council. CREATE is supported in part with public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and the Greene County Legislature. 

Questions? Email gallery@createcouncil.org


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Whittling Away with Dick Brooks - On Film

I was going through my desk the other day and came across a packet of negatives.  The long strips that had five or six negative images of pictures I had had printed back in the ancient days of cameras that used film brought back distant memories.  Almost everybody today carries a camera with them all the time.  The smart phone has single handed killed off the camera and film industry.  I’m always pulling mine out and taking pictures of everything I find interesting or useful.  I took a picture the other day of the mouth wash The Queen wanted.  At the drugstore, I pulled out my phone, looked at the picture and was able to come home with the very product she wanted.  After the drugstore, I stopped at a local thrift shop and saw something I thought she might be interested in so I took a picture of it and texted it to her.  I always have hundreds of pictures in my phone that I can call up at a moment’s notice.  Back in the day (a useful phrase I find I’m using more and more) you needed to have a camera and film to take a picture.  Most folks had a basic point and shoot camera that you could purchase at most drug stores or at one of the “Big Box” stores of the time—Newberry’s, Woolworth’s, Montgomery Wards or Sears.  Next you needed film to fit the camera you bought.  Most of the cameras I had used Kodak 126 film.  You chose color or black and white and the number of pictures you wanted, usually 12 or 24 pictures per roll.  If you were going to take pictures inside, you needed a flash attachment and flash bulbs or flash cubes which plugged into the camera top.  If you got serious about taking pictures, you bought a 35 mm camera with an adjustable lens, a light meter, a telescopic lens, a close up lens, a flash gun and a tripod.  You needed a bag about the size of a small suitcase to carry all this junk around.  No matter what kind of camera you used, when you had taken the number of pictures on the roll of film in your camera, you had to open the camera, take out the roll of film, reload the camera with a fresh roll, then take your film to the drugstore or mail it to Kodak to have it developed.   There were even little booths in parking lots where you could drive up to and drop your film off.  In a week or so your pictures were ready and you went and picked up the fat envelope, opened it and got to see your masterpieces for the first time.  The envelope contained your pictures and negatives so that if you liked a particular picture, you could take the negative of that picture to the drugstore and get another print of that picture made.  When you got your pictures home, you supposedly put them in photo albums.  Most of mine wound up in shoeboxes in the closet. Despite my best intentions to write information about who was in the picture or where it was taken, very few of them got the who, what and where written on them so now on the very rare occasions that I thumb through a box of them, I have no idea who the people or places are.  Such are the things memories are made of.

Thought for the week—A lot of people don’t recognize opportunity because usually it goes around wearing overalls and looking like hard work.  –Thomas Edison

Until next week, may you and yours be happy and well     

Whittle12124@yahoo.com     



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Ricky Zia’s Holday-daze Oct. 5

PINE HILL — Pine Hill Community Center Gallery Presents: Ricky Zia's Holiday-daze ... a solo show.

Just in time for spooky season, as we head into the holidays... Ricky's clowns, witches, elves and other characters occupy a world that feels like a John Waters movie set in 1980's Coney Island.

His sculptured figures and works on paper are a little campy, a little creepy and all uniquely fun. 

Come see the weird and wonderful world of Ricky Zia.

Opening reception: Saturday, October 5th, 2-4pm (the show runs through November 30th)

Pine Hill Community Center 

287 Main Street

Pine Hill, NY


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Local History with Dede Terns-Thorpe - 1904 and 1905

Today, we’ll visit 1904 and 1905 and read about how much of a struggle life was for the earlier residents, compared to what we have today. 

The July 1st, 1904, paper said that three mails were arriving and one on Sundays. (This was back when the local post office and letter writing were an important part of life. Times have changed with today’s texts and emails.)

A meeting in the Village of Tannersville was held on November 25, 1904, and it was decided the village would be lit in the spring with fifty arc electric lights. Tannersville citizens then met and organized the Tannersville Electric Company to furnish electric lights to Tannersville Village and the Parks. (What an amazing accomplishment.)

That same year Frank Raensch (today’s Yager family) said he intended to open a public library where any book or magazine could be had, free of charge. (Think of the two great village libraries.)

The December 1904 paper said that the ice was ready to cut out on the lakes and some of the hotel’s ice houses were filled. (Today we open the freezer and remove the ice, or better yet, we pull a handle to get our ice.)

The same paper said that the Hudson River Telephone Company would soon have two switchboards (operators) and other improvements. (Phones back then were stationary, unlike the pocket size we use today.)

The November 3rd, 1905, paper said Jacob Fromer was excavating for his new home on Main Street, now owned by the Hunter Foundation. 

In this same paper, it said, “The water from the Catskill Mountain region must have remarkable qualities when New Yorkers are willing to expend $160,000 annually for its use.”

It was in December of 1905 that Jacob Fromer deeded land for the Fromer Hose Fire Company’s new firehouse, which was to be built next to his office at the four corners. ((Today’s traffic light.) It spoke of how generous a contributor Mr. Fromer has always been. 

History teaches us of the trials that have taken place to bring us to the level of life we have today. 

Take care of yourselves and stay safe.

Dede Terns-Thorpe/Hunterhistorian@gmail.com


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HTC Booster Club Hosts Soccer Tournament Over the Weekend

By Max Oppen

HTC vs. Gilboa-Conesville / Roxbury in A - Mountain Eagle Section

TANNERSVILLE — The Hunter-Tannersville Central Booster Club hosted its annual Soccer Tournament on Saturday, September 21, under beautiful weather. The first match of the day saw Windham Girls Varsity face off against Germantown, with Windham coming out on top, 1-0. In the second game, Germantown Boys Varsity took on Windham. Before the match, Germantown held a 1-4 record.

I spoke with Germantown's goalie Aiden O’Brien, who shared, "We lost a lot of seniors last year, so it's been challenging and a little frustrating."

Germantown's Boys Varsity Head Coach, Nathan Bowles, has led the team for three years. Despite their struggles, with just one win so far against Doane Stuart-Rensselaer, Bowles remains optimistic. "We love this tournament. It's great to play teams that are evenly matched. We're working hard as a team and growing with many younger players. These guys are starting to come together and trust each other," he said.

Windham-Ashland-Jewett's Boys Varsity team is led by first-year Head Coach Anthony Savasta, who was previously the assistant coach for three years. Savasta reflected on his team's season so far: "We've had a little bit of a slow start but found our rhythm, and now it's just a matter of letting it all fall into place."

The third game of the day featured Hunter-Tannersville Girls Varsity against Gilboa-Conesville-Roxbury. Hunter-Tannersville entered the game with a 1-5 record, with their sole win being a non-league victory over Worcester. Hunter-Tannersville Girls Varsity Head Coach Dawn Plattner, now in her third year coaching, praised her team's effort. "They're working hard. We run, outplay, and dominate offensively but can't seem to find the net," she explained.

Plattner also emphasized the tournament's importance to the community. "The Booster Club Tournament is always a success and a great way to spend time with the community. We're always grateful for the Booster Club and their work for our Athletic Department," she added.

Platter has been coaching at HTC for more than three decades.

Gilboa-Conesville Girls Varsity is coached by Amanda Ross, while Roxbury's Head Coach is Amy Kauffman. Ross noted the growth of her team: "The girls are coming together as a team and are learning how to work together. Every game we've played this season has been a coin toss."

Gilboa-Conesville / Roxbury won 3-1.

First-year Booster Club President Bobbi Schmitt was proud of the day's events. "The Tournament is a tradition here at HTC, and I'm proud to be a part of it. We want to thank the communities, sponsors, and volunteers who come out for two Saturdays each year to support us," she said.

The event featured plenty of donated baked goods, including Oatmeal Chocolate Chip Cookies and Brownies baked by my mom, Pam Oppen—thanks, Mom! Hamburgers, hotdogs, Gatorade, and water were also available. The Booster Club offered cozy blankets for sale embroidered with "Hunter-Tannersville Wildcats," as well as raffles and prizes.

The turnout was excellent, and the proceeds from the fundraising supported the athletic department for scholarships, team hats, jackets, and sports equipment.

According to Brent Dearing, athletic director of the Hunter-Tannersville Central School District, the district has been holding these tournaments since at least the early 1990s.


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Ashland Speaks

By Lula Anderson

Autumn is officially here and the leaves are getting crunchy.  It's time to go out and shuffle through the newly fallen leaves and breathe in the scent of fall.  Did you all catch the Harvest Moon last week?  It was pretty hard not to see it was so bright.  Jay L leaves the house in Jewett at 5 AM and with the moonlight, the fog rolling in and the coyotes howling, he had the sensation of being in a horror movie.  It brings to mind the folk tales of Indian Summer with the rolling fog being the spirits of ancestors swirling and dancing.  Have you ever seen fog roll in?  I was sitting on a stone wall once in my youth and watched the fog roll across an open field.  A totally spooky experience.  I drive down the mountain from Jewett and as you pass the old quarry, I look at the mountains changing color bit by bit.  I remember when there was a "star tree"  at the top of the mountain.  I always wanted to hike and see it, but my practical sister said it was just a group of trees that formed that incredible sight.  I still hope to get a glimpse of it, but that was over 60 years ago, and it is only a memory.

Thanks to all for your support for the East Jewett UMC Italian Smorgasbord.  The food was superb.  It's alway good to get together with someone and eat.  Don't forget combined services of the Mountain Top UMC parishes is always the 5th Sunday, and will be held in East Jewett on September 29 at 10 AM.

Prayers for Connie Carter on the passing of husband Rick.   They are from Tannersville and currently living in Florida.

Get well prayers for Chrissy Thorington after surgery and all those having treatments or surgery

AS  I REMEMBER IT

While attending the Italian buffet dinner at East Jewett I spoke with Gerry Loucks about the novel way they were collecting their free will donations.  A large container was by the door and very few people could recognize what this unique object was.  Gerry is very into antiques and memorabilia, and he put out an old milk separator for the collection pot.  What is a milk separator you ask.  Before homogenization, milk, when left to sit, will settle with the cream rising to the top and the skim milk dropping to the bottom.  When you have small amounts, you can let the milk sit and skim the cream from the top.  Without refrigeration, letting it set made much sour milk, so larger farms had a separator.

My Aunt and Uncle lived in East Windham, and, as many farm houses back then, had a back room that was connected to the kitchen where they kept the tools needed for daily use.  Garden hoes, shovels, etc were kept here, but also the separator.  After the cows were milked, my uncle would bring in the cans and put the milk through the separator.  A handle would start the bowl spinning, and the heavier cream would come out of one spout while the lighter milk would come out the other.  The cream would be put into a churn and Aunt would churn it into butter.  A small stream ran through the basement, and the butter would be put into a sealed container and put into the stream.  If there was plenty of butter, collage cheese and sour cream would be made to sell.  So many local farm wives would make butter to sell to their neighbors for the extra money.  Many had special molds that would shape the butter into one pound blocks, some decorative for the dinner table.  

Because of the stream running through the cellar, the shed was always cool.  There was a large box hanging from the ceiling with a screen on the front which we called a "pie box."  Anything that needed to be cool would be placed in there to protect it from scavengers.  Many farms and larger houses had spring houses, and some examples can still be seen in the area.  This was even before the houses had ice boxes.  There was always an ingenious was to keep things cool.  Now we panic when we lose power because of our refrigerators.  


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Outdoors with Larry DiDonato - ECOs Charge Poachers in Deer Jacking Case

ECOs Charge Two North Country Poachers for Jacking Two Bucks;

Repeat Offenders Face Fines, Jail Time, and Hunting License Revocation

 New York State Environmental Conservation Investigators and Officers (ECOs) charged two North Country men with multiple offenses related to alleged “deer jacking” in Jefferson County. The subjects have been convicted of similar offenses in the past and now face thousands of dollars in potential fines, incarceration, and revocation of their hunting privileges.

 On September 6th 2024 ECOs arrested Jonathan M. Lille, 23, and Tyler S. Monica, 20, both of Adams, NY for unlawfully taking two deer at night in the Towns of Henderson and Hounsfield on December 30th and 31st, 2023. The defendants are charged with the unlawful taking of big game, taking big game from a motor vehicle, taking big game from a highway, taking big game with the aid of artificial light, (deer jacking), discharge of a firearm over a public highway, possessing a loaded firearm in a motor vehicle, and taking big game during the closed season, all misdemeanor crimes. Lille received an additional violation for trespassing on posted property.

 Deer “jacking” is the illegal taking of deer at night with the aid of a light. If you are familiar with the phrase, “deer in the headlights,” it pretty much sums up the unethical poaching method. Shining a powerful light in the eyes of a deer temporarily freezes it in-place, making normally wary bucks’ easy prey for “jackers.” The term deer “jacking” traces its origins back before portable electric lights when jack pine torches were used to shine deer for an easy shot. 

 For ECOs charged with protection of our wildlife resources, this time of year marks the unofficial start of “jacking season.” 

 Large whitetail buck’s racks are highly desirable and easy to obtain by shining a light and shooting them from vehicles at night. Big bucks are frequently sought after by deer jackers.  When you look at the picture of the racks of the deer jacked in this case, you’ll see one is especially large and of high quality. A buck that old would be a challenge to harvest using legal, ethical hunting practices, but was an easy mark when it was “jacked.”    

 Region 6 DLE Captain Harold Barber said, “I applaud our DEC Bureau of Environmental Crimes Investigators (BECI) for their diligence and dedication over several months to investigate these defendants and hold them accountable for their crimes. Let this serve as a reminder to the public that poaching of any kind is illegal, unethical, and against New York’s rich hunting traditions that thousands of responsible hunters participate in each year.”

 The investigation began earlier this year when ECOs received complaints about the duo from a member of the sporting community. The investigation revealed that Lille and Monica used spotlights to shoot the big bucks from a vehicle, at night, during the closed season.

 Local ECOs are familiar with both men, having charged them with similar offenses in the past. In 2021, Lille pleaded guilty to three unlawful hunting charges and Monica lost his hunting license until 2023 due to similar charges. 

 In this new case, both men face up to $9,000 in criminal fines and could have their hunting privileges revoked for up to five years. Tickets received in the town of Henderson were returnable to Henderson Town Court on September 9th and those received in the town of Hounsfield are returnable to the Town of Hounsfield Court on September 24th.

Happy Hunting, Fishing, and Trapping until next time!

News and Notes…

Deer Management Permit Applications Deadline is October 1st

Those who wish to apply for a Deer Management Permit (DMP) to take antlerless deer in NY this hunting season MUST apply on or before October 1st. In addition to that, its opening day for the early archery season for deer in the Southern Zone.  October 1st also serves as the statewide opener for many small game species. Go to  www.dec.ny.gov for more information on open seasons and legal hunting implements. 

Remember to report poaching violations by calling 1-844-DEC-ECOS.


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Martha Graham Dance Company performs Baye & Asa’s Cortege


Hunter - Catskill Mountain Foundation presents Baye & Asa’s Cortege performed by the world-renowned Martha Graham Dance Company on Saturday, September 28 at 7:00PM. This is the culminating event for the company’s week-long Works & Process LaunchPAD technical residency at Catskill Mountain Foundation’s Orpheum Performing Arts Center. 

Drawing inspiration from Martha Graham’s Cortege of Eagles, Baye & Asa focus on Charon, the ferryman who shepherds souls to the underworld. In Graham’s work, the Trojan Empire is crumbling, and Charon is the conductor of its inevitable fall. Baye & Asa’s Cortege removes this central figure of mythological predestination,

and instead places the burden of fate on the ensemble. Together, they generate the cyclical momentum of war.

The program will also include Lamentation, which premiered in New York City       on January 8, 1930, at Maxine Elliot’s Theater,to music by the Hungarian composer Zoltán Kodály. The dance is performed almost entirely from a seated position, with the dancer encased in a tube of purple

jersey. The diagonals and tensions formed by the dancer’s body struggling within the material create a moving sculpture, a portrait which presents the very essence of grief. The figure in this dance is neither human nor animal, neither male nor female: it is grief itself.

Martha Graham has had a deep and lasting impact on American art and culture. She

single-handedly defined contemporary dance as a uniquely American art form, which

the nation has in turn shared with the world. Crossing artistic boundaries, she 

collaborated with and commissioned work from the leading visual artists, musicians, and

designers of her day, including sculptor Isamu Noguchi and composers Aaron Copland,

Samuel Barber, and Gian Carlo Menotti.

The Martha Graham Dance Company has been a leader in the evolving art form of

modern dance since its founding in 1926. It is both the oldest dance company in the

United States and the oldest integrated dance company. Today, the Company is embracing a new programming vision that showcases masterpieces by Graham alongside newly commissioned works by contemporary artists.  “Some of the most skilled and powerful dancers you can ever hope to see,” according to the Washington Post last year. “One of the great companies of the world,” says The New York Times, while Los Angeles Times notes, “They seem able to do anything, and to make it look easy as well as poetic.”

The Orpheum Performing Arts Center is located at 6050 Main Street, Tannersville, NY. Purchase tickets at www.catskillmtn.org, email boxoffice@catskillmtn.org or call 518-263-2063.

For more information, please visit www.catskillmtn.org


About Catskill Mountain Foundation
The Catskill Mountain Foundation’s (CMF) aim is to provide educational opportunities in the arts for youth and lifelong learners, to bring the experience of the arts to the Catskill community, and to support artists and art organizations in the development of their work through residencies. Since its founding in 1998, CMF has presented hundreds of music, dance, and theater performances; screened over 1,000 films to tens of thousands of audience members; provided studio arts classes to thousands of students of all ages; and served thousands of art-loving patrons in the Catskill Mountain Foundation Gift Shop. The Catskill Mountain Foundation operates the Doctorow Center for the Arts in Hunter, the Orpheum Performing Arts Center in Tannersville, and the Sugar Maples Center for Creative Arts in Maplecrest, NY.


Since 1998, CMF has raised, generated, and invested close to $16 million in facility development and an excess of $42 million in programming operations, for a total investment in the Catskill community of over $58 million. Catskill Mountain Foundation is supported in part by New York State Council on the Arts, the Greene County Cultural Fund administered by the Greene County Legislature, The Jarvis and Constance Doctorow Family Foundation, The Royce Family Foundation, The Samuel and Esther Doctorow Fund, The Orville and Ethel Slutzky Family Foundation, Platte Clove Bruderhof Community, Bank of Greene County Charitable Foundation, The Greene County Youth Bureau, Marshall & Sterling Insurance, All Souls’ Church, Stewarts Shops, Windham Foundation, and by private donations. CMF believes that the arts can transform the lives of those touched by it and can transform the community. Like us on Facebook, follow us on Instagram, and subscribe to our YouTube channel.


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CONTACT US:


By phone: 518-763-6854 or 607-652-5252
Email: mountaineaglenews@gmail.com
Fax: 607-652-5253
Mail: The Mountain Eagle / PO Box 162 / Schoharie NY 12157

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