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ReUse / ReShape - New works by Beth Caspar and Liliana Zavaleta

Written By The Mountain Eagle on 10/3/24 | 10/3/24

MARGARETVILLE — ArtUp Gallery is pleased to present ReUse / ReShape, an exhibition of mixed-media paintings, constructions, and works on paper by two artists based in upstate New York, Beth Caspar and Liliana Zavaleta. An essay by Paul D’Agostino, “Common Grounds in ReUse / ReShape,” accompanies the exhibition, furnishing a critical context for the aesthetic, material, and thematic relationships among Caspar’s and Zavaleta’s diversely influenced works. The essay will be available for visitors to the gallery. 

ReUse / ReShape will be on view from Friday, Oct. 4, through Sunday, Oct. 27. The gallery hours are Friday – Sunday 12 – 4pm at ArtUp Gallery 746 Main Street, Margaretville.

A reception will be held on Friday, 10/18/2024, from 4pm to 7pm.

A gallery talk with Caspar and Zavaleta will take place on Saturday, 10/26/2024, from 2pm to 4pm.


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Outdoors with Larry DiDonato - Youth Pheasant Hunt Connects Kids to the Outdoors

On Saturday at the Lampman Farm in Greenville, Greene County, eighteen area youths and their parent/mentors took a day off from screens to connect with the outdoors. Nearly 60 people, including NYS Environmental Conservation Officers, (ECOs) and sportsmen-volunteers and bird dog handlers, got together to put on the 2024 Greene County Youth Pheasant Hunt. The annual event is the product of members of the Greene County Federation of Sportsmen’s Clubs working in partnership with the New York Conservation Officer’s Association (NYCOA). It once again received tremendous support from area sportsmen and women, our ECOs, the Greenville High School Trap Team, and local businesses like Big Top Tent Rentals of Cairo.  

 Word of the success of past youth hunts in Greene County made its way to the NYS DEC Public Affairs/Press Office and they sent a team to produce a video. It documented kids in action outdoors; hunting with experienced instructors and dog-handlers who volunteer their time and expertise to give back to the next generation of hunter-conservationists. Go to https://youtu.be/DnGUcXLfg00 to view the video which has already been posted.

 Some say kids connecting to nature is essential to their healthy mental and emotional development. Lack of contact with the natural world has even been characterized as potentially harmful. Author Richard Louve, in his 2008 book entitled, “Last Child in the Woods; Saving Our Children from Nature-Deficit Disorder” posits, if kids don’t spend enough time outdoors, in touch with their natural surroundings, it could have serious implications upon their healthy mental and emotional development. We’ve seen during COVID, that being locked inside for long periods of time can have a real negative impact upon kids as well as adults. Coupling lack of contact outside in nature with trends of ever-increasing time spent indoors on screens, and you don’t have to be a psychologist to see the potential harm. 

 Well, there was no concern of that happening at the youth hunt in Greenville, or in future hunting excursions it may hopefully have inspired the families to seek out. During the past five years of volunteering with this 5 to 6-hour event, I never saw a single kid on their phone. Whether they were hunting, practicing shooting trap, or just idly waiting his or her turn, the phone did not come out of their pocket. This same phenomenon was evident at this year’s hunt. Kids are busy commiserating with friends, old and new, talking technique, speaking with mentor-members of the HS trap team, or just quietly enjoying the fresh air, sunshine. They certainly appeared to be  “in the moment.” 

 The Greene County Federation of Sportsmen’s Clubs and local member clubs, frequently in conjunction with area ECOs, connect kids to nature and the outdoors through youth pheasant and turkey hunts, youth fishing derbies, and by paying for and sending kids to DEC environmental conservation summer camps.   

 The key to their success lies within its member-volunteers. If you are a member of a fish and game club, shooting sports club, or a fishing or conservation organization, support those clubs, the federation, and its mission by volunteering your time. If you are not a member, consider joining your local fish and game club. That may be all that’s needed to make sure the “Last Child in the Woods” won’t be one of ours.

Happy Hunting, Fishing, and Trapping until next time!

Remember to report poaching violations by calling 1-844-DEC-ECOS.  


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The Roxbury Arts Group Announces: Fiddlers! 31

ROXBURY — The 31st annual Fiddlers! returns to the Roxbury Arts Center (5025 Vega Mountain Road in Roxbury) on Sunday October 13th from 3pm to 7pm. This fiddle focused festival began as a way to honor music traditions of the Catskills and local fiddle legend Hilt Kelly.  This year’s festival will feature the Pine Tree Flyers, the Downhill Strugglers and the Stoddard Hollow String Band between 3pm- 6pm. Bring your instrument and and stick around to join the performers in the Community Jam Session at 6pm.  Pull out your favorite recipes and come in early to compete in (or judge!) our Chili & Apple Pie Cook-Off starting at 1pm. Tickets prices vary and can be purchased at the door or in advance at www.roxburyartsgroup.org.

Starting off the music performances at 3pm: The Stoddard Hollow String Band is known for its mix of Appalachian old-time tunes, traditional and original music. The band consists of Marvin Zachow on fiddles  and vocals, Ed McGee on clawhammer banjo, Frank Frazzitta on guitar and vocals, and Tom Ives on bass. In the 4pm hour, the Downhill Strugglers will take the stage.  This old time string band features Walker Shepard – fiddle, banjo, guitar, harmonica, voice; Jackson Lynch – fiddle, banjo, guitar, voice and Eli Smith – banjo, guitar, mandolin, harmonica, Jews harp, pump organ, voice. They have albums on Smithsonian Folkways Recordings and Jalopy Records and are featured on the soundtrack to the Coen Brothers film, “Inside Llewyn Davis” produced by T-Bone Burnett as well as other films and video games. Then at 5pm the Pine Tree Flyers are here to make sure New England music has a seat at the table as a distinct and vital American tradition. All residents of Portland, Maine, Katie McNally, fiddle, Emily Troll, accordion, Owen Marshall, guitar, and Neil Pearlman, piano, cut their teeth playing for contra dances and learning from the greats. Individually, they’ve toured the world playing Irish, Scottish, and Quebecois music and they bring this wellspring of knowledge and technical prowess to the American music that was born from these traditions. 

Don’t miss out on this yearly festival where you can experience the timeless, toe-tapping rhythms and dynamic performances from old time music groups to Appalachian and New England folk music. All happening at the Roxbury Arts Center on Sunday October 13, 2024 from 3-7pm.  Tickets and information about the concert, chili and apple pie cookoff and more at www.roxburyartsgroup.org.

All programs offered by the Roxbury Arts Group are supported by the New York State Council on the Arts with the support of the Office of the Governor and the NYS Legislature, the A. Lindsay and Olive B. O’Connor Foundation, the Robinson Broadhurst Foundation, The Community Foundation for South Central New York, the Tianaderrah Foundation, Mid Atlantic Arts with support from the National Endowment for the Arts and The Delaware National Bank of Delhi.


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Filmed Locally - The Hold-up Of The Rocky Mountain Express

By Bradley Towle

DELAWARE & ULSTER COUNTIES — The Hold-up Of The Rocky Mountain Express is a 1906 silent short film not shot in the Rocky Mountains at all but in the Catskills on the old Ulster and Delaware line from Phoenicia to Kaaterskill. Released three years after Edwin Porter's classic of early cinema, The Great Train Robbery, there is little plot to describe. Most of the film includes exterior shots moving along the railroad tracks. We see the train station in Phoenicia and a snaking path up through the Catskills. "The path of the railroad that was used in the 1906 film went from Phoenicia through Stony Clove along Route 214," explains Bob Gildersleeve of The Mountaintop Historical Society. "Most of the action takes place South of Stony Clove Notch and looks to me to move North until before the lake and campground at the narrowest section of the notch between Hunter Mountain on the West and Plateau Mountain on the East."

The only interior shots are hardly worth mentioning. A set intended to be the inside of a train car carries passengers who mock and jeer at the demeaning treatment of an African-American porter before the train is held up and they are robbed, making it hard not to root for the criminals as they lighten the passenger's loads. The film's value is in its exterior footage, which offers a glimpse of a now-extinct section of the railroad. In its heyday, the Ulster and Delaware (U&D) spanned six counties and was dubbed "The Only All Rail Route Through the Catskills." Locals nicknamed it "the Up and Down" for the steep terrain it traversed through the Catskills. 

The culminating scene in which the train robbers are apprehended takes place along the tracks in Stony Clove, with a visible structure in the shot. "Looking at another photo in John Ham's book [Light Rails and Short Ties Through the Notch], the structure was just North of the narrowest part of the notch but still in Stony Clove," says Gildersleeve, who cites Ham's book as well as Michael Kudish's Where Did the Tracks go in the Catskills? as invaluable resources. For those interested in exploring parts of the old rail line, The Mountaintop Historical Society will have a hike led by Paul LaPierre on October 5th along parts of the tracks north of Stony Clove, just beyond the section captured by The Hold-up of The Rocky Mountain Express. For more information, visit https://mths.org/event/kaaterskill-junction-hike-with-paul-lapierre/. The Hold-up of The Rocky Mountain Express is in the public domain and readily available online. 


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Sung Locally - Folksongs of The Catskills

By Bradley Towle

CATSKILLS REGION — Folksongs of The Catskills is a 1963 Smithsonian Folkways collection of traditional songs performed by Barbara Moncure and Harry Siemsen. An Ohio native, Moncure spent many summers in the Catskills as a child. A classically trained, Julliard-taught musician, she had a revelation while living in Texas with her husband and young children. After hearing music on a jukebox, Moncure recalled the traditional music she had heard in her youth in the Catskills and began exploring folk music. Following her husband's tragic death, she relocated to the region and poured herself into the world of folksongs in the area. At one point, Siemsen was a Catskills resident and the official historian for the Town of Kingston. He brought the perspective of someone who learned the folksongs through an oral tradition to the album.

The duo paired, and the resulting album is a 16-song collection that spans themes and song origins as wide-ranging as the geography they cover. The extensive liner notes dive deeply into the landscape, history, and traditions of The Catskills that continue to inspire arts of all kinds. Some songs included will be recognizable, even if somewhat altered. "A Frog He Would A-Wooing Go (Froggie Went A-Courtin')" sounds nothing like the versions of the song I remember hearing as a child. 

With its origins in 16th-century Scotland, the romantic exploits of Froggie have gone through many iterations (including a 1992 Bob Dylan cover). Like ancient oral traditions, folk songs are often regionalized or altered for different audiences. The songs included in this collection are no exception. 

"Mrs. Edgar Leaycraft supplied the first six verses, and papers dated 1873 belonging to a school girl and found in a Saugerties attic, provided the final three verses," explains the liner notes about the song. Other songs specifically mention the Catskills. One Ernest "Joker" Burgher claimed to have written "The Delhi Jail," and it may be that he did compose the number included in the collection. The liner notes explain that the lyrics share similarities with other compositions. 

"In spite of' references to the Delaware County Jail, similar sentiments have been used to describe local lockups across the country." But so goes the tradition of folksongs. As they traveled, they often became regionalized and, at times, merely adopted as having already been based on localized circumstances. "The Lexington Murder," for example, is "one of the most widely collected murder ballads" and went by a variety of names ("The Oxford Tragedy," "The Wexford Girl," "The Cruel Miller," to name a few). The author of the liner notes indicates that it had been sung in the Catskills by one Frank Joy, who may have believed he was singing about an actual incident in the Greene County town of Lexington (it's been said that murder ballads were a form of news reporting, but they're nothing if not rumors as well). 

Some songs are specific to the Catskills. Barbara Moncure and Harry Siemsen interviewed a 106-year-old man named Jessie Ellsworth about the "D. and H. Canal Song," which includes lyrics Siemsen found in an 1850 Kingston newspaper as well as the first verse, supplied by Ellsworth, who had worked on the D. and H. Canal as a boy. Folksongs of the Catskills captures a wide swatch of the traditional songs found in the region, whether they had traveled from Europe or were born in the famed New York mountain range. 

However, the collection is only half as interesting if one does not read the accompanying liner notes, available for download from Smithsonian Folkways. Folksongs of The Catskills is also available to stream across several platforms. 


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Whittling Away with Dick Brooks - The Tools of Opening Things

I’m going out to my shop this morning and put together a tool box to keep in the kitchen.  The time has come to get serious about my battle against protective coatings and wrappings.  The older I get the more personal the struggle gets.  My grip isn’t what it used to be so I finally see that I need the help of more heavy duty weapons to face the daily battle of trying to get to objects that I need on a regular basis to sustain life.  I have a small tool box that should work well.  I’m going to include a pair of pliers for bottle tops since those little pieces of plastic that need to be broken before the cap can be removed seem to be stronger than they were years ago.  I better include a pair of channel lock pliers that open much wider than regular pliers too for things like the lids on pickle and spaghetti sauce jars.  A sheet rock knife, the one that the razor blade slides in and out of, would be handy for the plastic coverings they put on the top of the Styrofoam trays they pack hamburger in.  I need to include a good strong pair of scissors for snipping potato chip bags open.  I definitely need a pair of tin snips remembering back a few weeks to the staple gun I purchased that came sealed in a bullet proof coating of really heavy duty plastic that had required almost every tool available on my trusty Swiss army knife before freeing the imprisoned tool.  I definitely need to include some needle nosed pliers for all those bottles of liquid stuff that have that little seal that appears when you take the cap off.  They have these teeny little tabs that I can’t get a good grip on that need to be removed before you can get to the contents.  They would also be handy for those cardboard boxes with the pull tabs that I can never get to pull all the way across before they break and when you finally get them open, there’s usually a wax paper bag inside that also has to be opened.  A hacksaw might be handy for hacking the top of any box or can that is stubborn.  I’m going to include a hammer too.  I can’t think of anything in particular I might need it for but it would be a good stress reliever.  Bashing something that won’t open may not be good for the object in question but it’s good for the soul.  It would be used mainly in my case on child-proof tops on pill containers.  There isn’t a child within a mile of our house.  Our grand- daughter is 24 and lives in Texas.  I can’t remember the last real genuine child who visited us and yet every day the pills I have to take are locked in these plastic versions of Fort Knox.  I’m not good at multi-tasking, push down and turn just doesn’t work well.  I know I could get them in non-childproof bottles but by the time I get them open every morning, my blood pressure is up, my adrenaline is pumping and I’m ready to face the day.  I’ve got an old nut cracker in the shop, think I’ll include that in my tool collection for help with the pill bottles.  I’m going to need a bigger tool box. 

Thought for the week—Most people are as happy as they make up their minds to be.   –Abraham Lincoln

Until next week, may you and yours be happy and well.

Whittle12124@yahoo.com


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A Conversation About: Asters are stars

By Jean Thomas

Literally, Asters are stars. The word “aster” means star in Greek and refers to the starry shape of the individual flowers. Most asters are whole galaxies of stars, bearing bracts of hundreds of small daisy shaped florets. Asters are one of the stars of the fall garden and meadow, with their unique blue or purple, white or pink flowers. Their botanical name has undergone changes as the scientists fuss over recalibrating small details of the plants and increased use of DNA. Asters native to Europe and Asia remain officially asters, but North American natives are now Symphyiotrichum. Their common names include “Michaelmas Daisy”.  Lucky for me, the common name remains Aster. As you may know, I get cranky when the scientists rename stuff.

Asters are among my favorite because they have one of the best attitudes of any plant. They are gorgeous in both of my meadows. They seeded themselves in the “wet” meadow and I have clouds of white interspersed with clumps of a vivid purple, all three feet tall and taller. Around the outskirts, along the mowed path, are dainty ones with tiny white speckled flowers sparkling against the mowed green of the grass. The “dry” meadow is more curated, and I have introduced the big purple tall ones (maybe the New England or the New York aster… names are fluid when you play with the natives) from the wild, along with yarrow and goldenrod. The pale blue with smaller blossoms and flowers introduced themselves, as did the small flowered white ones. Careful weeding and recognizing baby plants early on will accelerate the pace, but the whole tribe transplants happily. You can go “shopping” by just taking a walk in the fields and woods around your neighborhood. Don’t necessarily go with a shovel in hand… 

The wild asters all have built-in size patterns, and you can prune the tall ones in early July to keep the flowering a tad lower. The garden centers also provide hybrids along with the mums and pumpkins in the fall. I browse among these for elusive colors not seen in the wild. There are shades of pink in my meadows that have been given honorary “wild” status just because I like them.  While I admire the mums, they don’t act like perennials. Asters, whether hybrid or wild, are wonderfully hardy perennials, some to as low as zone three. They aren’t fussy about conditions. In fact it might be dangerous to overly coddle them because they can get pretty boisterous. I count asters among what I call my singing plants. Pollinator and naturalist experts value them all because they provide a feast for a multitude of insects, including bees and butterflies.These stars shine late in the year when many other plants have gone into fruit and seed production and lack pollen and nectar. Thus all the singing I hear when I go near the asters. Migrating insects find these to be a lifesaver on their arduous journey. For more information from better educated experts than I, lake a listen to the podcast “Nature Calls, Conversations from the Hudson Valley.” Episodes 89 and 133 are just two of the many episodes with more information about mingling native and introduced plants with beneficial results for the environment. Any specific questions can be addressed with a call to your own county’s Cooperative Extension Master Gardener Volunteers. In Greene and Columbia Counties, the link to get started is :     https://ccecolumbiagreene.org/gardening.


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Bruised Fruit: Hiding the Truth

By Max Oppen

I want to rewind the tape to 2001—November-ish. It was soon after 9/11, I remember that. I was 29 or 30, and the decision to move to Southern California, specifically San Diego, was easy. Heroin was plentiful, and I was chasing it. I had just finished a 9-month bid in the old Greene County Jail. It all started when a Greene County Sheriff pulled me over, and, surprise, they found drugs on me. I was initially sentenced to eight months with work release, so I spent my nights in the old Greene County Jail and my days working at a pizza joint in Colonie. It was a prime opportunity to save money: no rent, a solid job, and a reliable old blue Buick my Great Aunt used to own—it drove like a dream, smooth and plush.

Unfortunately, I managed to screw that up too. Almost every day, I got high, showing up to the jail hours late with a pizza for the guards, stuffing my shoes full of cigarettes, matches, and the occasional joint. The inmates loved me for it. That arrangement ended abruptly one morning when the guards couldn't wake me for work. They had to slap me to get my eyes open. But that's a story for another time.

Following my release, I hopped on a Greyhound bus to San Diego with a bundle of dope—10 small glassine bags—barely any money, and all of my poetry from college. My luggage got lost along the way, including all of my writing, which still upsets me today.

I got a job at the Crowne Point 76 gas station in Hillcrest, the center of the LGBTQ scene in San Diego. Hillcrest was a different world entirely. I moved there with a friend from New York and moved in with a mutual friend I'd known from my time in Vail, Colorado, back in the 90s, from 1994 to 1998. He'd quit drugs, and one night, he caught me doing cocaine in his bathroom. That was it for me - he kicked me out immediately.

The gas station job was overnight and quickly became one of the most insane, terrifying periods of my life. Everyone came through that gas station at night—fellow addicts, criminals, taxi drivers, struggling actors, porn stars—it was a madhouse. I'll never forget some characters: one guy had a silver pistol; another brought a sawed-off shotgun he found in a dumpster. Sometimes, someone would bring in a PlayStation, and we'd play hours of Madden Football, strung out on crystal meth, black tar heroin, piles of cheap cocaine, and even GHB, which a friend brought in those old black film canisters. 

GHB—gamma-hydroxybutyrate—is a dangerous, illegal nervous system depressant, often used as a date rape drug. I was mixing with perilous people, playing with death on a nightly basis.

One of my closest companions during this time was a Pakistani taxi driver. He stayed awake for days on end using meth and somehow survived a terrible accident after falling asleep behind the wheel. He barely had a scratch. Despite his own situation, he tried to stop me from using heroin. We connected, though I can't remember his name for the life of me.

I lasted only a few months at the gas station. One night, I decided to close up shop and head to a barrio for an eight-ball of coke. I had bought a wood-paneled station wagon from the taxi driver for $800—no registration, no insurance, and an out-of-state driver's license. After picking up the drugs, I rolled through a stop sign and got pulled over. I had 15 Valium stashed in my sock and the coke, of course. The cops found the coke almost immediately. They dragged me out of the car, cuffed me, and threw me in the back of an SUV—not in the seats, but way in the back. I knew I was headed to jail, so somehow, with my hands cuffed behind my back, I managed to grab the Valium in my sock and boofed them. For those unfamiliar, "boofing" means inserting drugs into your anus. Not exactly a proud moment, but it's all about survival in those situations.

On the way to San Diego Central Jail (SDCJ), we passed the gas station where I was supposed to be working. I had just gotten a pound of weed fronted to me and had put it behind the counter, and I remember watching someone illuminated by streetlights, kicking the locked glass front door, trying to get in. There was nothing I could do.

After a few days in SDCJ, I was transferred to Otay Mesa, near the border with Mexico. I believe it was the George Bailey Detention Center, but I'm unsure. County jails in Southern California are much different than those in New York. They're segregated—strict and rigid, like prisons back home. I was housed in a dorm with whites only. The inmates, not the guards, ran the place. Every race had its own "representatives," and the inmates ran their own exercise routine every morning. Whites with Whites, Mexicans with Mexicans, and Blacks with Blacks. I couldn't eat, play cards, or interact with anyone of a different race. If you did, you'd get a visit from your "own" people. I came close to getting my ass kicked a couple of times.

Despite these rigid race rules, I did make friends with a couple of Mexican carjackers. But the jail was brutal, nicknamed "Thunderdome" for a reason. There was constant violence. I managed to avoid fighting, but I was there about a month before I got to court and was sentenced to Drug Court—probably a relatively new concept at the time.

While I was locked up, my "friend" in Hillcrest packed all my things—papers, journals, even my Italian Birth Certificate—onto the street and moved in with his girlfriend. I lost everything. When I was released, I had a few hundred dollars from my last gas station paycheck and the clothes I was arrested in. I was officially homeless. That night, I slept behind a dumpster, using a patio furniture cushion as a bed and a wood pallet for cover. It's frightening to realize you have nowhere to go, no "safe space."

I rarely contacted my parents during this time. My father was still alive then (he passed away in 2012), and they knew something was terribly wrong. I came out as a heroin addict to my family around then. My sister told me she cried and embraced her former partner when she found out. My mother was worried sick, and most of our phone calls involved me begging for money, desperate for help.

After that, I fell in with a group of homeless people called the "Canyon Kids," loosely led by a guy named "The Wolf." We set up camps under a freeway, where I saw horrors—people poked with used

needles by addicts with HIV, constant conflict, and hopelessness. I remember scratching a poem into a green metallic power source in an alley: "Look beyond the horizon, and feel for the sun. For we shall thrive as masses, instead of only one."

I learned how to survive from the Canyon Kids. We'd grab used cups outside burger joints and refill them for free. I got pretty good at boosting (stealing) razors to fence at the local flea market, and we'd use the cash to buy coke and heroin. I wrote a short poem about doing a speedball in a Taco Bell bathroom and feeling "beautifully diseased."

But I wasn't in control. There was an active warrant out for my arrest because I had blown off Drug Court. I found a cardboard refrigerator box and hauled it up onto a rooftop. That became my home for the winter, which had the typical Southern California mild weather. I made a flap in the box for a "window" and had a giant glass jug to use as a bathroom. The rooftop felt relatively safe, but I'd return to find my things ransacked almost daily.

Eventually, I just got tired of it all—the drugs, the lifestyle, the constant fear. I called my old boss from the pizza place in Colonie, and he wired me money for a bus ticket home. I absconded, warrant still active, and returned to work at the pizza place in Colonie, with the weight of that arrest hanging over me. For years, every time I got pulled over, the warrant would pop up, but they never extradited me. The University at Albany, which I had transferred to after graduating with my two-year degree from Columbia-Greene Community College in 2012, saw the warrant and wanted it resolved before I would be accepted on campus. I had to meet with officials at UAlbany, who put me through a process to ensure I was not a danger to fellow students. Finally, in 2012, my Uncle paid for a lawyer, and with his connections in California, the attorney resolved the warrant. The felony was dropped, teaching me a valuable lesson about the connection between money and the criminal justice system in America.

Despite all that, I wasn't done using drugs. I still thought I had control. Man, was I wrong.


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Phoenicia American Legion Hosts Great Pig Roast

By Robert Brune

PHOENICIA — The Sons of the American Legion of Phoenicia Chris Huwer, Sam Umhay, and Michael Pushman arrived at the site of the pig roast fundraiser at 5:30 am to begin a long day of cooking the incredible food sourced by Meiller Slaughter House of Pine Plains who donated the pig, corn from Davenport in Stone Ridge, with other contributions from Restaurant Depot in Newburg, Sams Club, and the Boiceville Market. 

As with most American Legion’s throughout the country, the American Legion Post #950 has suffered diminishing numbers in membership, but the wider community are very engaged in keeping the doors open and the lights on for our military service members. Michaela Roycroft of Ulster Savings Bank was the friendly face of this fundraiser welcoming the nicely attended event selling tickets for the meal well worth the $15 contribution. The event attracted folks from Roxbury to Kingston as this post has a reputation for caring for their members in a meaningful way. Anyone wishing to join or contribute to this great community for our military, see ‘American Legion Auxiliary Unit 950’ on Facebook. 


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THE CATSKILL GEOLOGISTS BY PROFESSORS ROBERT AND JOHANNA TITUS - Opening a New Park

The eastern Catskills were once rich with numerous bluestone quarries. Up and down the Wall of Manitou, the Catskill Front, there were active quarries during the late 19th and early 20th Centuries. Then, one by one, they closed. They fell into neglect and each one left heaps of broken stone behind to spoil the scenery. How odd it is that all this ugliness should actually have attracted artists - some of them very good artists. Our column has spent a lot of time describing the work of Harvey Fite, a sculptor who specialized in working with leftover bluestone in a particularly large, once abandoned, quarry, now called Opus 40. Over a period of decades Fite carefully placed endless numbers of bluestone slabs into a growing sculpture. We wrote nearly a dozen columns about Opus 40 just last year.

                    A person and person standing in a doorway

Description automatically generated Tom Gottesleben and Patty Livingston; photo by Andrea Barrist Stern

We never met Harvey Fite and regret that very much. But there was another bluestone sculptor who we did meet. That man was the late Tom Gottsleben. Tom worked with paint and crystals, but he is best known for his bluestone sculptures. He arrived in the Hudson Valley in 1982. He and wife Patty Livingston lived in a small home next to an old bluestone quarry, much as Harvey Fite once did. By 1997 they set to work creating a concrete, bluestone, steel and glass architectural masterpiece which would be their home: Spiral House. See our second photo.

                                                Photo by Phil Mansfield               

We met Tom in the most unusual and remarkable way. One of us, Robert, was being auctioned off by the Woodstock Land Conservancy. The money from the auction went to the Conservancy. In return the winning bidders, Tom and Patty, got Robert’s geological services for a full day. They wanted to have Robert explore the property around the Spiral House and tell them all about the geological history there. It proved to be a memorable day. There is a lot of geology at Spiral House.

Sadly, Tom died in 2019, but the Spiral House property is now becoming a public park. Robert has been invited to return as a consultant, incorporating the geological history into the park experience. That’s a tribute to Tom and Patty’s keen interest in the geology here and their feelings that the past is part of the present. Robert has been exploring the grounds and working out the bedrock and ice age histories there. On this upcoming Sunday and Monday, October 13 and 14, there will be something of a soft opening. Spiral House will always, of course, be the centerpiece of the new park, but 1.5 miles of hiking trails will take visitors all across the undeveloped part of the property. And . . . all across its geological past. On October 14th Robert will be leading a geology hike, starting at 10:30. Admission is free but requires registration, which you can do through the park’s website spiralhousepark.org. 

Contact the authors at randjtitus@prodigy.net. Join their facebook page “The Catskill Geologist.” Read their blogs at “thecatskillgeologist.com.”


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Yom Kippur Services at Hunter Synogogue

HUNTER — Yom Kippur services will be held on Friday night, October 11 and Saturday, October 12 at the Hunter Synagogue on Main Street, Hunter.

Rabbi Bella Bogart will conduct the services. 

All are welcome to join us.


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Traditionally Speaking…with Pat Larsen - Hypnosis corner with Pat Larsen…Past Life and Age Regression Therapy

I recently continued my hypnotherapy studies with world renowned educator, Paul Aurand, MHt …in the areas of Age and Past life regression techniques. 

This  can be a big concept to comprehend, especially if you’ve not heard of this type of hypnotherapy before. 

Simply put, regression is a gentle technique to encourage someone to replay a time in their life from a safe vantage point with a hypnotherapist's guidance. 

From there and with this personal support, issues are comfortably resolvable. 

Expectations can include forgiveness, gratitude, love, letting go or learning important lessons from the issues at hand… that can block us from living joyful lives. 

Since all work in hypnosis is considered “self hypnosis” this particular therapy is very successful when the person is ready and willing to move forward with trust from a trained professional.

Oftentimes,  during a pretalk consultation, I’d hear from  prospective hypnotherapy clients that they had “tried everything ” to work through their particular stresses before seeking this specialty. Their enthusiasm to begin this treatment was heightened when they’d realized the possibility of not having to drag the heavy emotional weights around any longer.

Believing in their own emotional freedom definitely was the motivation to begin sharpening their focus on where and when an issue began for them.

This doesn’t mean that all parties are immediately released from the stresses. When you work one on one with a specialist, the focus is on you, not the aggressor.

I'd like to give you an example of some work that I did with someone recently who called to have a consultation about a past life that he thought was at the forefront of his continuous issues with moving forward in this lifetime.

The most important aspect of this discussion was helping the client to feel comfortable with me as the hypnotherapist. It was essential to listen carefully for clues in the discussion that indicated a readiness to take the deep dive into the story. 

In this particular case, this person had heard about trying to find answers perhaps in a past life. It turned out to be something very different  and unexpected.

My intention is always to create a safe environment for the work to take place.  Also, if I feel that I may not be the right person to help make these connections, I’ll refer to a colleague. 

This part is important, especially to me and those I have studied with and refer to. I find that this level of professionalism is a key component to elevating this profession to reach beyond the earlier depictions of a stage act in the 50’s.

That being said…let me continue.

The client and I began the conversation with some comfortable banter about his life. I would encourage staying on course as I 

connected the story of the  roads leading his childhood experiences on a farm as a young boy. He was the youngest of three boys in the family. 

The story continued for a half hour or so.

What a wonderful gift this kind of work is to be honest.

How often do we carry a story that has been less than ideal and have anyone to actually listen to it who is outside of the event.

This becomes such a beautiful starting point for me to see this release almost immediately on the face of the person I’m working with.

Of course this type of work, as I defined by the title,  might reflect a trauma or a stress, sometimes even a misunderstanding  that the person has carried forward.

We both can see that it is within THIS LIFE TIME that the situation and story was unfolding.

So the therapy continues as the client assumes a relaxed posture on the couch or a chair that they can stretch out on.

My voice guides the relaxation techniques that are an important part of hypnosis. Before long it becomes evident that the client is deeply entrenched in the pictures he’s created in his mind by sharing his story. 

In terms of age regression, I’ve experienced watching the client confront the offending party to share in a conversation that sets the record straight as to their behavior.

Often, this involves a very stern parent, most times a father, who was particularly harsh when this person was very young. The possibilities are very personal of course but very powerful nevertheless. 

When the therapy is completed and the conversation has taken place between the two, it’s time to express apologies or renewed unexpressed love and the session is then completed for that day.

It’s very unique and very profound to be a witness to this particular age regression therapy.

Past Life regression is similar but that subject will have to wait for another story. I happened to be present when Paul Aurand led a past life regression that involved a soldier from the civil war. It was incredibly clear with sharp  details. Until next time… 

Pat Larsen lives in Greene County, NY; her credentials include Syndicated columnist, author, certified hypnotherapist and fitness instructor.

Feel Free to Contact Pat at 518-275-8686 to chat.



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