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THE CATSKILL GEOLOGISTS BY PROFESSORS ROBERT AND JOHANNA TITUS - Just Exactly Where on Earth is “Here?”

Written By The Mountain Eagle on 12/6/24 | 12/6/24

Poet and novelist Gertrude Stein is famously quoted as saying “there is no there there.” People have been pondering and debating exactly what she meant for decades. We wonder if the two of us be remembered for the following quote: “There is no here here” That should, on the face of it, be equally ambiguous but, unlike Gertrude Stein, we are scientists, and we are going to explain ourselves clearly . . . we hope.

We would like it if you caught one of our outdoors acts sometime. We do geology walks all over the Catskills and the Hudson Valley. It’s late in the season right now so we have nothing coming up soon. But watch our facebook page “The Catskill Geologist” where we list our upcoming events. It’s almost always the case that Robert dramatically sticks out his right arm and points as he turns a full 360 degrees. He goes on to proclaim how this spot is a tiny dot on the surface of the globe, but it has been here for 4 1/2 billion years. It’s been so different in the past and more so in the far distant past. Then the two of us go on to show the evidence for what that spot was like during the Ordovician, Silurian, Devonian or the Ice Age. We take our participants back to “here” as it was back then.

But there’s a problem” where exactly was “here” back then? You might think we are being silly. After all, how could here have ever been anywhere else? That’s what generations of geographers and philosophers have thought, and anybody can understand why. But, beginning in the 1960’s, those views changed. You see, there are a number of rocks which have small crystalline grains in them that contain iron. At the time of formation, it is possible or even likely that those tiny bits of rock will settle into an orientation aligned with the magnetic north and south poles. One end of the crystal points toward the north pole; the other points south.

Once settled into place those magnetic grains should sit where they are - forever. Right? They should always point north and south - forever. Right? Well, you can imagine how surprised mineralogist and sedimentologist were when they discovered that they don’t do that - at all. And the older the rock was, then the farther off-target those magnetic grains were. They had discovered a pattern and that was something that needed to be explained.

One hypothesis was that the magnetic poles had been moving. That would be a simple solution, but it’s widely understood that poles can’t and don’t move except for just a little bit of routine wandering. Magnetic and geographic poles are and have always been closely aligned. The moving pole hypotheses had been quickly falsified. That left only one other, an almost disturbing hypothesis: it was the continents that had moved! 

Geologists had commonly speculated that “continental drift” had long been moving them around on the surface of the globe, but most dismissed the idea as being wildly improbable. Suddenly it was not only probable, but it had been demonstrated! Well, that gets us back to where is here. We now understand that here - the Catskills - had long ago been there – somewhere south of the equator. Many geologists think that today’s here was located about 20 degrees south of the equator during the Devonian, back when most of our local rocks were forming. That’s southeastern Laurentia on our map, courtesy of Wikimedia Commons. That kind of rearranges your sense of reality, doesn’t it? Science is supposed to do that.

                                              A map of the world

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Contact the authors at randjtitus@prodigy.net. Join their facebook page “The Catskill Geologist.” Read their blogs at “thecatskillgeologist.com.”


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A Conversation about Ben the Oak

By Jean Thomas

It all started on a walk with the dog. This particular morning the world was awash with litter following a storm the night before. I spotted a fallen oak branch alongside the road, lying amidst the undergrowth, and attributed it to a storm fall.

Days later, I noticed it again and wondered why it hadn’t begun to dry out… the leaves were still vividly alive. A week later I began to explore for an explanation. Looking up, I observed no oaks in the area that would account for a fallen branch. I plunged into the greenery around the branch and realized that this wasn’t a broken branch, but a sapling. Some squirrel had hidden an acorn between the roots of a pine. The acorn sprouted and grew in an inhospitable environment. The lack of optimal light resulted in tall, spindly growth as it reached for the sun from its shady birthplace.  When the storm pushed it over by its top growth it hadn’t been able to raise itself back to a vertical position. But it now had access to better light, and chose to thrive from its new position. The side branches began to grow upward.                     

My new friend, now dubbed “Ben” (informal for “Ben Dover”), stooped cheerfully to greet me the rest of the summer. As his leaves colored for the cold, then withered, they remained on their stems, as is the custom of oaks.

Recently I needed to hire some men to help with yard work around the house and my busy brain saw this as an opportunity to fix Ben’s situation. I would have the workers come over to Ben and tie him to the trunk of his host pine tree. This would provide the opportunity for him to resume his upward growth.

Fortunately for Ben (and me), the work date was delayed by a week. This gave my busy brain some more time to cogitate.  I had recently read an article by some botanist about how mankind was overly intrusive in Nature. Humans will plow up a perfectly good meadow to replace it with a “better, native” assortment of plants, AKA, “meadow.” Useful, bio-diverse hedgerows and groves of trees are erased for a better view. People introduce monocultures of plants for pollination, disturbing an already working system. This scientist was no fan of our intruding where we weren’t needed. 

It made me think more profoundly about my friend Ben. His life had started because of the random actions of a wild animal. The storm had randomly shoved him to a better environment to thrive in. He had spent the summer adapting slowly to improved conditions, contorting his direction to a better one. He is perfectly healthy as far as I can tell.                                                                                                               

How did it become my mission to interfere? Standing him back up to a vertical position puts him back into the shade. So then what? Should I cut down the pine foster tree? Does Ben need a protective fence or fertilizer treatment? Pesticide? Where does it end? I think that anonymous scientist planted a seed in my busy brain, ergo: Mind my own business and stay a casual friend.

I will still walk past my neighbor Ben every day, but as a friend, not a colonist. Maybe we should all take a minute to think before we fix something. Especially when it isn’t ours to fix.                                                     To learn more about oaks, listen to “Nature Calls, Conversations from the Hudson Valley,” episodes 85 and 100, at:    https://ccecolumbiagreene.org/gardening/nature-calls-conversations-from-the-hudson-valley                                                       



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Whittling Away with Dick Brooks - One Stop

Winter's on the way.  After consulting the two weather experts that I trust, The Old Farmer's Almanac and the woolly bear caterpillar, I decided it was time to get some snow shoes for Casper, The Friendly Kia.  In fact, after consulting the woolly bear, I've decided to cut a few extra cords of wood, bank the house with straw, and get a few more overweight cats to throw on the bed to help out on really cold nights.  The old timers say that the more black on the woolly bear, the colder the winter.  I was able to find only one woolly bear, it was totally black, not a good sign.  Talking to a friend of mine who also talks to bugs brought out the fact that he had only seen one woolly bear this year and that it was also completely black.  The dearth of woolly bears can be explained by the fact that most of the local ones can be found near the Thruway entrances holding little signs that say, "Florida" on them.  They know!

I drove Casper to the local Walmart.  I woke the friendly senior at the door so he could welcome me to the store and proceeded to the tire section.  I picked out some stylish tires, it was easy, they only had one size that would work.  The very pleasant red vest at the counter told me that it would be a couple of hours due to the influx of woolly bear readers.  Two hours in a great big store with no female supervision, cool!  I headed promptly for the tool section where I eventually purchased a new smoke alarm to replace the one at the head of the stairs.  I've found that instead of replacing the batteries twice a year, it's just as cheap to replace the whole thing.  A package of two 9 volt batteries was a little over five dollars, the new smoke alarm with battery was about fifty cents cheaper, if you figure this one out--let me know.

Cruising through the bathroom supply section, I paused to admire myself in one of the mirrors, which reminded me that it was either time for a haircut or a couple of barrettes.  I headed for the little room where they keep the clipper ladies.  A short wait and I was in the chair being shorn by a pleasant young lady who tried very hard to earn the price of the haircut.  I still think that follicly challenged folks should get a discount.  To her credit, she didn't try to comb the hole in the middle of my hair, she applied a little Mop and Glow and buffed it to a satin sheen.  Looking good!

On to the Mens department.  I found a nice pair of pants and a shirt I liked.  On to the music and video section where I picked up a Simon and Garfunkel CD that I didn't have.  I then added bananas, tissue, and cheese to the cart.  A cruise through the pet section added cat food and doggie treats to my growing collection.  

Too soon, my time was up and Casper stood in the parking lot resplendently shod in its new snow boots.  I unloaded the now groaning cart into the car, returned the cart and headed for home.  I know some folks complain about Walmart but where else could you get snow tires, a haircut, new clothes, food and music all in the same building.

I returned home, parked Casper and started unloading when the dark grey skies opened and down poured little ice balls which bounced off Casper, the driveway and my newly buffed head.  The wooly bear knew.

The thought for the week--The world is full of willing people, some willing to work, the rest willing to let them--Robert Frost

Until next week, may you and yours be happy and well.

whittle12124@yahoo.com       


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NBC Staff Volunteer at Regional Food Bank

VOORHEESVILLE – Earlier this fall, staff from the National Bank of Coxsackie (“NBC”) spent two afternoons volunteering their time at the Region Food Bank’s Patroon Land Farm located in Voorheesville.

The Regional Food Bank is a 501(c)(3) not-for-profit organization that collects donated food from the food industry and distributes it to more than 1,000 partner agencies and programs feeding neighbors in need throughout 23 counties of northeastern New York. The food provided by the Regional Food Bank helps to feed over 350,000 people each month. In 2023, the Food Bank distributed more than 48 million pounds of food (enough for 40 million meals) to neighbors in need. 

"90% of the work done at the Patroon Land Farm is done by volunteers.” Explained Hea Gundlach, Farm Operations Manager at Patroon Land Farm for the Regional Food Bank. “We truly could not do what we do without them and their help. The Regional Food Bank prides itself on being able to have a location where we can grow over 50,000 lbs of fresh produce for our neighbors each year. Thank you, NBC, for all that you did this fall in helping us set up for our next year's crop plan!"

While at the farm, NBC’s staff were able to spend their time aiding in the harvesting of food that is distributed to local food pantries all across our area. In addition to harvesting, they focused on helping prepare for next years crops.

“The humanitarian work that The Regional Food Bank facilitates plays a vital role to our local communities” John Balli, National Bank of Coxsackie Chief Executive Officer said. “We are glad to be able to support their vision of ensuring all people have the nutritious food they need to thrive.”


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Homegrown Performer Eli Finberg Returns

By Robert Brune

PINE HILL — The Pine Hill Community Center (PHCC) recently hosted the epic blues and hip-hop sensation of Eli Finberg aka Mr E Saturday night with a packed house. Finberg, raised in Margaretville, now living in Paris, performs mostly throughout Europe.  This was the first time Finberg performed live for family, friends and fans. 

In an interview after the show, Finberg discussed his musical path. His father Michael Finberg was a drummer in college and continues to be a percussionist. Finberg said both of his parents were into music throughout his childhood. Finberg explains how he found hip-hop music, “I have two older brothers. They introduced me to rap, the music my parents didn’t listen to. My brother Max gave me a cassette of Public Enemy’s ‘Fear of a Black Planet’ in 1990, when I was 7 or 8 years old. I got hooked.” His other brother had a radio gig at a college. They would exchange music preferences on cassettes with each other. 

It wasn’t until Mr E went off to Juniata College in Pennsylvania that he began to write hip-hop songs,  “I had roommates that played acoustic guitar, a little percussion, and I beat-boxed.” He goes on to say, “It was during the Bush administration, and I had a lot of things to say, as I was studying politics. I wrote slam poetry more than proper rap and put it to a beat. So I guess that was rap.” 

Finberg moved to France when he graduated from college. Off to Europe with a suitcase full of material, he began to meet people with whom he performed on the street. His talent for writing and performing rap songs led to a drummer asking him to join a band in 2007 in Strasbourg. Finberg explains how he paid the bills, “I taught English and started to make music. As time went on, I taught less and less and played more and more.” Finberg has been a full-time writer/musician for 8 years, now. Creating music with a number of bands, he says some of those projects no longer exist and some are ongoing. Finberg talks about his current band, “My bands are influenced by everything. We have a blues/rock/funk band called Mojo Sapiens a band which was responsible for a lot of the tracks performed tonight (at PHCC).” Finberg is also a part of a group called Golden Cut Band. 

The lyrics for Finberg’s song, as he describes, “They are influenced by my parents, teachers, and everyday experiences. I think I make music with a message be it political, spiritual, introspective, or critical. I perform for mostly a European audience. English isn’t their native language and often they don’t understand everything I’m saying. Here it was very important for me to be able to play these songs and speak to these people. They were a part of my life, a lot of former teachers and friends.” Toni Smith was Finberg’s Kindergarten teacher at Margaretville Central School. She was in the audience appearing to be so proud of him as she danced with the crowd at the front of the stage. Finberg’s parents were in attendance with his father Michael on stage for much of the performance, backing him up with percussion instruments. 

To learn more about Mr E and his various projects, you can find him on Instagram @thesongofeli 


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Art Pop Debuts in Pine Hill

By Robert Brune

PINE HILL — This is the time of year pop-up arts and craft shows emerge in almost every village throughout the northern Catskills. Art Pop, one of the standout holiday shopping opportunities was put together by our own Mountain Eagle Arts and Culture writer, Christein Aromando, along with artist Mina Teslaru, owner of Bellfire in the Catskills, an exceptional off the grid glamping experience in Roxbury. Despite an unexpected snowstorm leaving many without power, art lovers came out to shop and support local artists the weekend of November 23 rd at Pine Hill Social on Main Street in Pine Hill.

Aromando reported on the opening of Pine Hill Social, the event space between Tito Bandito’s and the Post Office, this past summer. She explains, “Four local women came together to provide a space for community pop-up events. It’s kind of a chameleon space that can be transformed into anything you want.” The space has hosted a wide variety of events including art workshops, clothing pop-ups, a barber shop, Reiki and physical practitioners, and is open to any experience you can dream up. It was a perfect fit for Art Pop.

This past summer, Aromando got to know many of the AMR Open Studios Tour artists through her reporting with the Mountain Eagle. The experience of connecting with the local art community led to the inspiration of doing a fine art pop-up. Aromando approached Teslaru to participate in the art sale, and Teslaru expressed interest in not only adding her art but joining Aromando in organizing the holiday sales event. The two ladies pulled it off with marvelous success as they transformed the small space into an elaborate store filled with smaller scale affordable fine art.

The very well curated room displayed art which included Kathleen Sweeney’s paintings using natural materials, Ricky Zia’s ornaments and sculptures, Sheila McManus’ Round Barn paintings, functional pottery by Michael Boyer, Alan Powell’s encaustic paintings, Kim Kenney’s paintings and cards, Odgen Kruger’s wrapped rocks, paintings and collage, Gary Mayer’s wire animals, Gio Scotti’s mixed media pieces, Shawn Patrick Anderson’s jug sculptures, Richard Tazzara’s beautiful spalted maple woodwork, Gerda van Leeuwen’s ceramics and inventive hand bags made of packing blankets, Holly Cohen’s photography gift cards and prints, fiber artist Tony Brogan’s comfort balls and thought pods, paintings by Gail Freund, Lesley Powell, and Brigid McGinn, animal totem paintings by Gina Teslaru, and artfully crafted wasp hives by Patrice Lorenz. Art Pop also featured work by the curators themselves, Teslaru’s unique fiber art wall hangings and ornaments, and Aromando’s emotional black and white NYC street photography. “There are a million art shows, but I wanted to provide an accessible outlet for the art to find their way into people’s homes,” says Aromando. Teslaru expressed her passion for this endeavor, “Every artist has little things they make. This was an opportunity to clear them out of their studios. I’m passionate about helping artists sell more outside of the gallery setting, whether it’s online or a pop-up weekend event.”

Teslaru and Aromando look forward to making Art Pop a biannual event. Follow @pinehillsocial on Instagram for upcoming events in the space.


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Fire and Friends

Dear Friends,


     We had a fire at Arts Inn.  Everybody is safe and the damage was contained.   There was an overwhelming response from our local volunteer firefighters.  They came not only from the Fleischmanns’ fire department but from all the surrounding villages and even the next county.   They are incredible men and women who stop whatever they’re doing and rush to help their neighbors in a time of crisis.  One such volunteer was a kindergarten teacher from Margaretville who was off from school on a snow day.  Instead of staying home in bed, she donned her mask and oxygen tank and went and fought our fire.

     Neighbors came by with coffee, offers of help and housing, our local restaurant, sat us down for a free meal after an exhausting day.  Electricians and plumbers came the same day.  One neighbor took our dog, another gave us a power line to keep our refrigerators running.  Our friend down the block who is a lawyer found us a public advocate who hired a remediation company that has been working round the clock to get our Inn and home back up and running.

     This Thanksgiving will always be a memorable one for us.  It has been a testament to the goodness of people, the strength of community and to the hand of friendship that reaches across all divides.    


Thank you!

Randy & Heidi





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The Red Thread of Three Female Artists

By Robert Brune

FLEISCHMANNS — As the 1053 Gallery co-curator/writer Lindsay Comstock suggests in the summary of this exhibition, the color red symbolically unifies these three artists, Lisbeth Firman, Patrice Lorenz, and Angela Voulgarelis in an ‘activating force, a symbol of yang, and a fiery energy of transformation.’. Firmin and Lorenz are, without contention, very powerful forces in this upstate New York art scene having commanded the respect of many as artists of the highest regard. These two painters have made Delaware County their home for several decades and flourished in finding their way with great conviction and presentation. Voulgarelis, was in Italy and unable to attend the opening reception. 

This exhibition opened on a busy weekend with village holiday celebrations happening throug out the region, but this didn’t prevent the 1053 Gallery from attracting a great number of folks that had to see these new works that had been created over the past year for this show. All three have a gift for throttling the abstract lines through impressionist and expressionist styles with both elegant tones and a great range of emotion. 

Voulgarelis’ painting ‘Red Hands Red Heart’ appears to be the inspiration for the title of the show. Upon close examination this female figure, emerging from dark brown tones in a red dress, it holds the viewer as the subject’s expression engages in deep thought. The red dress in contrast with the background has a skillful mix of color value and application. Another of Voulgarelis’ works, ‘Tender Headed’, was equally fascinating. The central figure, a young girl in a blue dress surrounded by adults of varied definition, lost in her own head, absent from everyone around her. This, too, features aspects of well-placed red accents.

Having met with Lorenz for an interview at Art Up where she is co-owner, we chatted about her past that led to the present exhibition at the 1053 Gallery. She described herself as clearly focused on art since the first grade. With the encouragement of Lorenz’s high school guidance counselor in Rockland County, she attended Brockport College studying print making. She then transferred to SUNY Albany for graduate school, finding her way towards the love of painting. Lorenz spoke about her awakening related to color, “My eyes kind of opened up to painting. I remember being at a party and they started to play this music by Bettie Carter, a jazz singer. All of a sudden I was like, I GET IT! I’m seeing color.” This was when Lorenz switched from printmaking to the painting department.  Upon completing her education in art, Lorenz had enough credits to be a teacher in the NYC public school system. When she showed up for her first day, the principal gave her a box of books to help develop her art program for the children she was to teach. In the box was a ‘How to Do It’ art book that she had cherished throughout her childhood. She explains, “I put my hand on the book and in my mind I could see each page flipping through.” She described the nineteen-eighties as being a rough time for female artists in the city. She had a series of traumatic experiences of male artists vandalizing her artwork at exhibitions. This led Lorenz to become withdrawn from creating art for a decade until she moved out of the city to upstate. Lorenz shares her delight in her move to Margaretville twenty or more years ago, “It was wonderful. It was a safe space to create art. I just love where I’m at with it now.” Patrice fell in with the founders of the Longyear Gallery in 2005, “That also was wonderful.” On Lorenz’s painting style choices, “I feel like the different things that I’m interested in require different styles. The content determines the style and material. So, that’s why I think it keeps changing.” Out of graduate school, Lorenz was heavily involved in figure painting, though for a while upstate, she did mostly landscapes. The evolution of her work has married both landscapes and figures, “There was just this experience of being in an empty landscape, and I started to imagine, what if this was happening instead. What if there was this person doing something, like projecting into it. I started to look at my landscape as if something to happen on. What would be happening there?” Lorenz gave an excellent example at the opening reception, as she described her thinking behind her ‘Encounter’ painting. This piece is a beautiful impressionist garden of yellows and greens with red apples and a young girl peering into the bushy forest.  Lorenz says she felt as if the girl was pondering, as if in a Garden of Eden moment. Her works, as she says, are a glimpse into her intuitive moods which are sometimes dark and at times very playful and abstract, such as ‘Mother Hubbard Takes a Rest’. 

As for Firmin, she wasn’t a big fan of art school at first. She, too, was recognized as a budding artist from an early age. After a brief attempt at college, she chose to draw portraits. In the interview with Lorenz, she said art schools didn’t have classes for drawing, as the focus was strictly painting and printmaking. This could be one of the reasons why Firmin was discouraged at the time. Firmin moved to Provincetown and joined her husband doing portraits in Puerto Rico, as well as dipping into the NYC scene. While in Provincetown, Firmin studied under Philip Malicoat who was a friend of Edwin Dickenson, two artists she admired. He inspired Firmin to see as a painter would see, as she described that experience. In the two winters studying with Malicoat she tells, “He taught me how to mix colors, what a palette was, and what paints to buy.” Firmin became a single mother and made the brave move to NYC after she met the gallerist Marie Pelliconi while showing her walk on a sidewalk on Bond St. Pelliconi invited her to do an exhibition. Firmin learned about the art world the hard way, “I was so naïve, I figured if it was so easy to get an art show in NY, I’m just going there and going to make a big success of it.” Firmin says after that she didn’t show for another ten years. She had grown tired of doing portraits on the street and found herself doing graphic design for fifteen years. Firmin continued drawing and journaling to keep up with the progression of her skills. 

Around 1992 Firman launched her new life as an artist painting urban street and subway scenes. With great relief she says, “This is when my art career took off. I had an open studio show, and I sold every one.” Firmin’s daughter went off to college, and she was let go of her position at a design firm that was downsizing. Firmin giggles as she recalls her boss giving her the news, she acted sad but inside she was delighted this was happening just as she felt confident in her art, once again. Firmin has an exceptional gift for painting with such an original style of her own. The expressionist style transcends into realism in a way that is so unique. The people featured in each painting speak to the viewer in a way that tells a vivid story, yet each viewer of her work can maybe empathize or identify with each character. For someone who struggled with the concept of painting at the start of her career, she has a brilliant taste for color combinations. Very much like Lorenz, nothing seems to limit her imagination and exploration. Firmin has worked with gouaches and acrylics but has expressed an interest in returning to oil painting. 

Interviewing both exceptional artists for this exhibition was such a fantastic experience and it’s well worth visiting the 1053 Gallery in Fleishmanns to soak in the magnificence of their years of evolving works of art. Lisbeth Firmin also has a studio on the second floor of The Commons Building in Margaretville, Patrice Lorenz can often be found at Art Up on weekends, and Angela Voulgarelis has a studio in Kingston. Hopefully we can catch up with Voulgarelis for an interview soon. 


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Great Success at Longyear Gallery Holiday Invitational

By Robert Brune

MARGARETVILLE — This year’s final opening reception at Longyear Gallery hosted a substantial number of participating artists including thirty-three members and forty-five invitees, totaling more than one hundred eclectic works of art. The weekend leading up to Thanksgiving was marked by an unexpected snowstorm that caused widespread power outages throughout the region. This did not deter folks from attending the joyous occasion to celebrate the arts. Listening to each person briefly sharing their storm woes, within seconds they transformed into smiles and cheerful conversation with each other, which was exactly what the community needed.

The purpose of member artists choosing guest artists has at least two vital roles at Longyear Gallery; the intention to share their community gallery space to help inspire the members and guests with innovative ideas, and to attract more members to join the collective at Longyear. For both reasons, it is a fulfilling exhibition that sustains the community throughout the year. 

This year’s invited artists include Rebecca Andre, Richard Arnold, Flavia Bacarella, Casey Beal, Holly Cohen, Chris Criswell, Wendy Deutelbaum, Elizabeth Dimon, Eddie Donoghue, Sandy Finkenberg, Lisbeth Firmin, Kathleen Green, Paula Heisen, Aileen Hengeveld, Ann Hoffman, Ben Huberman, Robin Kappy, Ulla Kjarval, Jonas Kyle, Simone Kyle, Richard LaPresti, John MaCeachen, Anthony Manzo, Harry McCarthy, Bea Ortiz, Kari Pagnano, Kevin Palfreyman, Linda Palfreyman, Lynn Preston, Ralph Reed, Joe Reilly, Julia Rubin, Herbert Scott, Ava Seablom, Michelle Sidrane, Amy Silbertkleit, Marilyn Silver, Jan Sosnowitz, GG Stankiewicz, Sara Stone, Sharon Suess, Barbara Taff, Fred Woller, Lynn Woods, and Ricky Zia. The work of these artists varies in style and vision, including a broad range of media, such as Wendy Deutelbaum's photographs with acrylic, Bea Ortiz's acrylic and oil on paper, Eddie Donoghue's India ink on YUPO, Julia Rubin's collages, and Sara Stone's watercolor painting. 

Lynn Wood, invited by Alan Powell, is a Kingston-based arts review writer and painter. Wood had an extensive career writing with the Wall Street Journal, USA Today, and Forbes Buyer’s Guide before moving to Kingston thirty years ago. Over the past three decades Wood has been writing for the Kingston area newspapers, Chronogram, Adirondack Life, as well as others. Wood was generous enough to share her thoughts on the Holiday Invitational Exhibition, “The bright colors of many of the artworks, which represented a range of styles, media, and sizes, lent a festive atmosphere, a kind of symphony of hues; I lingered in front of a few, whose unusual compositional elements, skilled application of color, or wildly original conception invited deeper contemplation.” In a discussion with Wood, she says she enjoys painting much more than writing about art these days, though she is proficiently talented at both. 

Guest artist Julia Rubin’s ‘Stairs Led to the Sea’ collage appears more as a painting with the pieces placed so carefully together, it flows seamlessly. The collage offers a scene that could be the stage of mythical Greek gods and goddesses, waves crashing dramatically against the walls and steps. Rubin expresses her gratitude for being invited by Lesley Powell. Rubin shares, “Being at the Longyear opening as an artist made me feel like a part of the art community here, even though I live in NYC.” 

Eddie Donoghue, who is known in the area as the manager of the1053 Gallery in Fleischmanns, has the unique opportunity to confer with many of the greatest artists the northern Catskills have to offer. Donoghue himself has created a spectacular body of work using India ink on YUPO. His piece, “Sandbox Ballet’ has layers of streaming textures that could be a rain pelted window at night with intermittent light illuminating each random drop. Donoghue garnered well deserved praise from many of the artists attending the opening reception. 

Another guest, Ann Hoffman, presented an interpretation of landscapes that is expressionist in style with a flare for playful colors which carries the viewer into an alternative universe while keeping with the mountain and valley settings of her plein air group led by Michelle Sidrane each summer. Sidrane, as well, had two brilliantly colored pastel landscapes in the show that lit up the room. 

This exhibition is a testament to the exceptional talent of both the members of gallery and their guests. The Longyear Gallery has opened its doors and wall space to share the stage through the holidays. This spirit of giving represents the great northern Catskills at its best. 

This exhibition goes through January 5. For more information, see www.longyeargallery.org and on Instagram @LongyearGallery


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BOCES Provides a Certifiably Good Education

SCHOHARIE — Whether operating a backhoe, caring for a patient or designing a logo, knowing the correct way to do something and having a professional certification to vouch for that knowledge is crucial to personal and professional success. 

Nearly all the 28 Capital Region BOCES Career and Technical Education Center programs provide students with professional certifications, many of which are recognized nationwide by contractors and employers. 

Students in the Heavy Equipment Repair and Operation program can earn a half dozen certifications, ranging from StormWater and Erosion Control to Bobcat Excavator Operator, while students in the Electrical Trades program can earn Dig Safe NY and First Aid certifications. Meanwhile, students aspiring to careers as technicians thanks to the Heating, Ventilation, Air Conditioning and Refrigeration (HVAC/R) program can earn the EPA 608 Certification for Refrigerant Recovery and Reclamation. All of the construction industry programs also provide students with the opportunity to earn the Occupational Safety and Health Administration (OSHA) 10-hour certification that employees are required to have to work on most job sites.

Capital Region BOCES Managing Program Coordinator-Business & Community Partnerships Nancy Liddle said the certifications make CTE graduates highly sought after in the workforce.

“Employers—especially those in the construction industry—seek students and graduates with the professional skills and aptitude that the professional certifications we offer signify. Additionally, by earning these certifications, our students show an eagerness to learn and grow that makes them a valuable asset to employers,” Liddle said.

On the digital front, students in the Digital Media Design program can earn numerous Adobe professional certifications.

Senior Gavin Stacey earned two Adobe certifications during his junior year of the program—Adobe Photoshop and Illustrator. He plans to continue adding certification to his resume this year. 

“Adobe certification signifies an expertise that colleges often award credits for and is used on resumes to get jobs,” said teacher Barb Gorbaty.

“It shows that I can do those skills at a professional level and am eager to learn,” Stacey said.

Cosmetology students earn certifications that show their professional skills with scissors and other tools of the trade, but also knowledge of issues one might not immediately think would be an issue for hairdressers and barbers.

During their junior year, students in the Cosmetology program earn Milady Certification for Human Trafficking Awareness, as well as for Domestic Abuse Awareness.

Rylee Kelly, who attends the program from Niskayuna, explained the value of the certification.

“In the profession we are going into, a lot of shady things can happen. People confide a lot, and because we are so close, we can see things that others might not see and hear and it’s important for us to know what to be on the lookout for,” she said.

No matter the program the students earn professional certifications in, the value is long-lasting.

“The skills BOCES graduates bring to the table helps to provide local union contractors with hard-working employees with a strong educational foundation to better their workforce,” said Josh Shaul, Business Manager/ Secretary Treasurer for The Laborers' International Union of North America Local 157.

“BOCES students have been taught a safety-minded approach and they come to us with the construction industry OSHA 10 certification as well as other training and certifications,” he added.


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Railroad Museum Holds 47th Annual Bazaar

By Joshua Walther

SCHOHARIE -  As November came toward a close, the Schoharie Colonial Heritage Association held their forty seventh annual Christmas Bazaar in the Railroad Museum off Depot Lane.

For the price of a ticket that went toward a fundraiser for the Association, any and all were invited to attend the bazaar, with thirty two local artisans showing off their latest wares of honey, jewelry, blankets, carvings, candles, and so much more. 

John Wilkinson, a member of the Association and a vendor selling his local paintings, explained that the bazaar was started by his mother-in-law, Helen Sumner.

Ever since then, people like Barbara Sharpe have been working diligently to hold it year after year and provide a community that supports one another in their craft.

“COVID shut everything down,” said Mr. Wilkinson, noting that there was recently a time where the bazaar couldn’t be held. But now that the pandemic has passed, the Association is looking forward to accommodating more vendors for the future.

“This is a very good thing to get people together,” he concluded.

The sentiment was held by the vendors themselves, as Cheryl Jones of TooCoolBeads in East Berne said that she was ecstatic about the weekend.

“It’s been great here,” she said, stating that she had been attending the bazaar for at least ten years. “We get people that come back here time after time just to see us.”

Tricia Ball, the head of Tricia’s Ooak Arts from West Fulton, couldn’t agree more. Coming to the bazaar with her supply of decorative wooden hangings for her fourth year, she stated that the event has more than doubled her sales.

“This year has been a huge success for me,” she said, thanking all who gave her patronage. “I love this show, there’s really stuff for everyone here.”

Once the show concluded, the Association said that they’re already planning to send out letters for next year, and they can’t wait to invite everyone out for another round of fun.


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Local History - Schoharie’s Free Street Movies

By Bradley Towle

SCHOHARIE — As anyone passing by the historical marker in front of the Schoharie County offices may know, Schoharie has the dual distinction of being the location of the first-ever free open-air screening of a film on June 7, 1917, and the first-ever free outdoor screening of a “talkie” on June 11, 1931. The Schoharie Free Street Movies were the brainchild of Schoharie’s progressive mayor, Perry Taylor, to encourage support for local businesses and boost morale as the U.S. entered the bloody fray overseas during The Great War. 

Dwight Grimm’s 2018 short documentary A Century Under the Stars explores the history and legacy of the wildly popular Schoharie Free Street Movies and its often-forgotten role as the origin of the drive-in theater. Grimm, who also owns and operates the Greenville Drive-In with his wife, Leigh, describes Taylor as a “dreamer and a doer” and, as luck would have it, “an avid moviegoer.” The film includes plenty of background on Taylor’s unique proposal and photographs of an early 20th-century Schoharie. 

Grimm was also fortunate enough to locate several interviewees who remembered the Free Street Movies. They reflected fondly on the large gatherings, offering a glimpse into a community that no longer seems to exist to the same degree. It is hard to overlook that these were the days before television, and a free movie on a Thursday night would have been the thing to do. No history of the Schoharie Free Street Movies would be complete without Ed Scribner, a local “whiz kid” who created the sound system required to show talking films. The advent of the “talkie” in 1927 with Al Jolson’s The Jazz Singer revolutionized motion pictures. Talking films brought plenty of challenges (“Quiet on the set!” hadn’t been necessary with silent films, for example), and a rural open-air free film series undoubtedly had fewer resources to accommodate the new technology than large movie houses in New York or Los Angeles. But Scribner was Schoharie’s Ace in The Hole, and he rose to the occasion, creating a sound system in 1931 that facilitated the Schoharie Free Street Movies until they ended in 1942. It wasn’t until 1933 that Camden, New Jersey, held what is commonly (and mistakenly) regarded as the first drive-in movie event. The Scribner House at The Old Stone Fort Museum contains more on Scribner’s life and role in The Free Street Movies. 

Grimm, along with his wife Leigh, Carl Kopecki (former director of Old Stone Fort Museum) and a group of volunteers, celebrated the centennial of the first-ever free outdoor screening of a film by recreating the event on June 8, 2017. Just as it was 100 years earlier, Main Street was shut down, and a crowd gathered for live music, food, and a screening of The Awakening of Helena Ritchie, the silent film screened on that summer night so long ago. Only a few minutes of the film survive, and The Library of Congress loaned the remaining reel for the event, which was projected from a flatbed truck (just as it would have been in 1917) with an antique, hand-cranked projector from Boston. For those few moments on the centennial, Main Street in Schoharie became an open-air theater, with only the sound of a projector and the live piano accompanying the film heard in the village—an opportunity to travel through time by way of pausing it. Dwight Grimm’s A Century Under the Stars can be viewed for free on YouTube. The 2018 update includes the centennial celebration. 



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