google.com, pub-2480664471547226, DIRECT, f08c47fec0942fa0

A Great Street Fair in Fleischmanns

Written By The Mountain Eagle on 5/31/24 | 5/31/24



The Fleischmanns (Memorial Day Weekend) Street Festival was a huge success with a wide variety of vendors, events, and yard sales, this past Sunday. Photos by Robert Brune.


The Print House had outside live music and food all day. They were so busy, it’s rumored they ran out of food by the evening 

1053 Main Street Gallery held an Art Talk with the current Interplay exhibition of artists Janice La Motta, Amy Masters, and Deborah Freedman with the conversation facilitated by co-curator Lindsay Comstock 

Arts Inn which is now an artist residency held their third annual Vaudeville show with the Arm of the Sea Puppet Theatre group, Mariachi music, and a fire dancer 

Fire dancer photo credit: Mercedes Gonzalez 


Remember to Subscribe!
Subscription Options

The Beauty of Abstract Minimalism Art of Gonzalo Pita

Photos courtesy Kerry Reardon 



By Robert Brune

ANDES — In this new exhibition at Hawk + Hive Gallery in Andes, ‘Paisaje’ (Translation: Landscape) is a magnificent series of artwork by the Argentinian ex-pat now living in Brooklyn and upstate NY with his wife Kerry Reardon. Pita describes the love of the countryside in upstate NY, “Our frequent drives from Sunset Park Brooklyn to our Adirondack cabin have continually expanded our urge to discover new towns, natural landscapes and to understand communities’ histories. I don’t need to describe the breathtaking views that all of us are entitled to witness, and for myself, how its sheer beauty inspires me, over and over again.” 

The roots of this journey for Gonzalo Pita extends back to the harsh living conditions of the military junta neoliberal dictatorship of the 1970’s in Argentina. Pita reflects on how these challenging times may have influenced his passion for abstract minimalism. “ I’m aware that my past, (in many aspects, where the peacefulness of nature included) there are components to my archive of references which have influenced my art…and for sure including some of the darker aspects living as a youth in a dictatorship where we were not able to express outwardly in any capacity that might resemble a social commentary or political critique through writing, art, music or even the way we dressed or wore our hair (longish was forbidden) So, unconsciously, I suppose as a contributing element to the style of my abstract expression, symbolism and minimalism comes to play for myself and for many with similar faceted generational experiences.” Abstract minimalist artwork is said to have been born out of the pre-WWI art of the Russian artist Kazimir Malevich with his founding of Suprematist school of abstract painting. Malevich fell out of favor with the Russian political elites with his form of expressionism. Minimalism artists over the past century since Malevich are often a reaction to authoritarian regimes and/or political upheaval where critics are silenced. In Argentina it’s estimated up to 30,000 artists, writers, and activists were killed or disappeared during Pita’s childhood in South America. 

When asked about his choice of very neutral tones for his current series of paintings at Hawk + Hive, Pita responds, “It’s true I’ve fine-tuned my palette over the years and honed in on what, for me, conveys a quietness that attracts me. Sometimes I do catch myself mixing a color collective that might be “easier” on the eyes, but other times I find that my combinations are working for me with a rhythm but not necessarily interpretive of a realist landscape expectation nor the ‘current’ color ways. I guess that’s why they call it abstract. When I start mixing colors in this impasto textured technique, I’m not intent on a particular direction necessarily, but I must be drawing on a flexible compilation of all my experiences which seem to flow as I’m staining the canvas.”

Pita is a self-taught artist, as the artworld classifies artist without formal training as Outsider and Naïve artists, there’s nothing naïve about this set designer of 17 years and artist as he tells of his influences, “My early artistic influencers i would have to say would be the work and life of Benito Quinquela Martin, an Argentine painter of the vibrant lively port in Buenos Aires during the early 20’s. Thereafter, more abstract painters sparked my curiosity from the early Argentine non figurative painters of 1940s-70’s, such as, Kenneth Kemble’s collage paintings, his wife, Silvia Torras’ and other likeminded creators of this time including photographers, architects and designers. Some called this group’s movement ‘informalismo’ (informalism) and ‘arte concreto’ (concrete art) with a strong emphasis on geometrical abstractions. Obviously, this stemmed from the Bauhaus school of being which set in motion a holistic modern design that touched every cultural boundary. I mention these inspirations for myself as they showcase my appreciation for diverse artistic expressions within these simultaneous global movements. With this non scripted freedom of expression, even as trained artists, this allowance of unrestricted form and color brought forth a narrative that played across other countries as if a collective consciousness emerged.”

At the opening reception both Pita and his wife were naturally and genuinely friendly, mixing with local artists and patrons of the arts with such ease, embracing everyone with conversation and gratitude. Pita was especially thankful to Jayne Parker of Hawk + Hive, “I’d like to have this chance to wholeheartedly express how much this exhibition means to me and how appreciative I am of Jayne for having the confidence (and courage) to offer me my first solo show when I’m still a novice and self-taught artist.” Parker has an extraordinary eye for talent. Pita is sure to be a great success. 



Remember to Subscribe!
Subscription Options

The Artistic Odyssey of Bela Borsodi: Birth Life Death Exhibition

Bela Borsodi having fun with artist Pia Dehne with his Unicorn book outside the Corner Gallery in Andes



By Robert Brune

ANDES — Bela Borsodi is a contemporary artist whose creative journey spans continents, mediums, and disciplines. Born in Vienna, Austria, Borsodi's artistic exploration began with a foundation in Graphic Design, a path that eventually led him into the realms of Fine Arts, particularly photography. Under the guidance of mentor Ernst Caramelle, Borsodi honed his skills and vision, ultimately earning a Master of Fine Arts from the esteemed University of Applied Arts in Vienna.

Photography emerged as the quintessential medium for Borsodi to weave together his eclectic artistic interests. With an eye for composition and a penchant for storytelling, he embarked on a transformative journey that would see him relocate to the bustling metropolis of NYC in 1992. It was here that Borsodi's artistic identity began to flourish, finding resonance in the vibrant energy and diversity of the city.

In 1999, Borsodi made a significant pivot in his artistic practice, honing his focus on still-life photography. This genre became a cornerstone of his work, allowing him to explore the interplay of objects, space, and narrative within meticulously crafted compositions. What sets Borsodi apart is not just his ability to capture captivating imagery but his propensity for hands-on engagement in every aspect of his creative process. From conceptualization to execution, he often takes on the role of set designer, meticulously crafting environments that serve as the backdrop for his photographic narratives. 

The very accomplished artist Jeff Bliumis is the owner of the Corner Gallery who shared that upon Borsodi agreeing to put together a series of his work for the Andes show, it took Borsodi six months to complete his current series titled ‘Birth, Life, Death’. When Borsodi is asked about how this exhibition came to be, I know Jeff and Alina Bliumis for quite while now through mutual friends, we became close friends and Jeff asked me a while ago if I would like to show my work at the corner gallery. Of course this was exciting to me and I showed him the project which I was working on at the time, when it was still in the beginning and in its conceptual phase- he liked it and then i got more into working on it which resulted in this show. I was totally free to do anything I like , it is a true pleasure to work with him, and I am thankful for making this happen.”

 Borsodi describes himself and the process of this series, “I’m kind of a heavy guy. I like to think about things. Some of them have philosophy, psychology, criticisms, and some have historic references behind it.” In our interview Borsodi retrieves a large handful of documents containing intricate detailed diagrams and experimental concepts as each piece evolved and came to life. The words used in each are an in-camera, Borsodi explains, “The are three dimensional letters that makes the words objects themselves.”  The irony of this interview was that Borsodi began the conversation by saying, “I took on this project because I wanted to do something quick and easy.” The complexity of his studies to come up with each concept is both fascinating and thorough well beyond the average intuitive artist aesthetics. 

Collaboration has been a defining aspect of Borsodi's career, as he has worked closely with international magazines and renowned brands, bringing his unique vision to a global audience. His photographs transcend mere visual aesthetics, often delving into the realms of conceptual photography art, where every element within the frame carries symbolic weight and narrative resonance.

During the opening reception Borsodi was flipping through his Unicorn book with a local artist Pia Dehne as they laughed with each other. Borsodi expands on the significance of humor in his art, “To me “humor” is a very serious business, it is a lot of work. Why humor? Well, I believe it is a great way to communicate ideas to people, often people can relate easier and less guarded. work with humor likely touches people in a more personal direct manner, perhaps with more ease? Humor to me is never shallow, quite on the contrary it is perhaps possible to get much deeper than with some clear straight messages. Humor is something like a lubricant, and it is difficult because if you don’t use it well you run the risk of losing the message to become just silly, which is worse than what a straight message might do. Also, it demands a lot of your own personality, through humor the artist also exposes him/her self in a very intimate way. Many of my favorite artists and artworks show humor and thereby touch very deep issues and subjects.”

Borsodi's artistic endeavors have not been confined to the realm of digital and print media. He has also ventured into the world of publishing, with notable works including Unicorn, published in collaboration with Libraryman in 2018, and "Phytophile," released through Dashwood Books in 2019. These publications serve as tangible expressions of Borsodi's artistic vision, offering viewers an intimate glimpse into his imaginative universe. 

The Unicorn series being a form of a puzzle style of art, Borsodi helps us understand the difference in his current works from ‘Birth, Life, Death’, “In my new projects it is a very different exploration as I focus on the “quality” of things as a communicator for emotions, iconic perception, and their “psychology” - the words being phrases or statements in relation to them, they can contradict, confirm challenge their presence or also becoming banal - this is a very different interaction than in unicorn.”

As Bela Borsodi continues to navigate the ever-evolving landscape of contemporary art, one thing remains abundantly clear: his artistic odyssey is characterized by a relentless pursuit of innovation, creativity, and storytelling. Through his mastery of diverse mediums and his unwavering commitment to artistic exploration, Borsodi invites viewers to embark on a journey of discovery, where the boundaries between reality and imagination blur, and the possibilities are as limitless as the human imagination itself. 

This exhibition will be showing through June 23rd

For more information see: www.thecornergallery-andes.com and www.belaborsodi.com 


Remember to Subscribe!
Subscription Options

A Conversation About: The Sweet of the Year

By Jean Thomas

Every spring my husband would come in from outside and announce that it was the “sweet of the year.” He was a skilled gardener and gifted fisherman and very attuned to what was happening around him in the natural world. Today as I was strolling about with the dog on our morning perambulation, I experienced it first hand for the first time. The roses and the Dame’s Rocket were cranking out scent along with the remnants of the Japanese honeysuckle. The birds were still active and vocal, but the frantic courtship and nest building were done. Discarded eggshells littered the lanes where the parents had carried them from the nests when the babies hatched. There were more lullabies than desperation. There was a small breeze, enough to keep the biting insects at bay. The sunshine was not yet filtered with a layer of humidity, and the silhouettes of the Catskills rose crisply against a perfect blue sky. The trees were gleaming with the subtle colors among the leaves that would appear again in the autumn in a 

And then my tiny mind began to whirl. Where did that phrase come from? So I poked around on the net. Turns out Mr. Shakespeare started it, describing a perfect English spring. With a “hey and a no and a hey nonny no.”  The “nonny no” stuff has become out dated. The sweet of the year idea remains in all its glory.

There are other unique things that happen this time of year. You just have to be there. In past years I often witnessed pollen explosions from a pair of huge pines by my driveway. A gust of wind would hit just right and thousands of those “candles” would release their pollen simultaneously. A golden cloud would drift majestically from the tree, wafted by the wind to any available manmade surface. Like cars, porches and any available glass. This is the pollen high point of the year. I was reminded of the pollen clouds from the long-gone pines yesterday afternoon. I’ve already been taking allergy medication, but was thankful all over again. A rain shower hammered the yard and I scampered inside for the few minutes it lasted. When I went back outside to resume my work, I was confused for a minute. The rain had pooled in a few spots around the area where I was working, and there was a ring of yellow all around each pool. The rain had swept up some of the pollen I had been sucking in as I worked and literally cleared the air. Yay, me!

Most gardeners are grateful souls. We’re usually happy with what we discover each day. Happy is not the same as contented. I prowl the gardens for the late bloomers… or what I consider the late bloomers. They’re not late. I’m greedy. Each new arrival is greeted as if I hadn’t ever seen it before, even if I’ve been growing it for decades. Even weeding becomes an adventure as I rediscover whimsical ornaments or disturb a garter snake.  For my husband, the sweet of the year was a moment of magic. For me, it’s not unlike a birthday. Show me the rule that says it can only last a single day! 



Remember to Subscribe!
Subscription Options

Whittling Away with Dick Brooks - Commercials

I like commercials on television.  Some of them are more entertaining than the shows they are liberally sprinkled throughout.  I will admit that the ones with cute animals or kids are the ones I enjoy the most.  There seem to be more and more medical ones appearing.  I like to stay current on cures for ailments that I may or may not contract but they’re starting to annoy me because they spend ten seconds or so telling me about the benefits of their product and the rest of the commercial telling me what could happen to me if I take it.  If I have a headache, I’d like to know that if I take the stuff they’re selling, it will make it go away.  I don’t need to know that if I take that product I might have diarrhea, dizziness, rapid heart beat or halitosis.  I don’t usually operate heavy machinery but I’d like to if the occasion arises but I may not have the opportunity to do it if I take their product.  I think I’d rather keep the headache.  I know its all part of the “Right to Know” act but I think I’d less annoyed and concerned if we had a option to choose not to know.

While I’m talking about things that annoy me, there are a few other annoyances I’d like to get off my chest.  I’m a senior citizen and I’m sure that somewhere on my AARP card it says that I have the right to be annoyed.  Here are a few of the things that make me grumpy.  I think that those people who take their groceries out of the cart and put them into their cars then drive away leaving the cart blocking a parking space should be locked in a room full of rabid deer tics.  I think I’d make that room large enough to include those inconsiderate folks who take up two parking spaces because they never learned how to park between the lines.  I don’t like those air dryers in public rest rooms or toilets that flush themselves.  I’d rather dry my hands on my pants and I find pulling the lever and cleaning up my own mess rather satisfying.  Telephones should be black, weigh five pounds and have a dial.  They should not be permanently attached to the end of an arm and should not take precedence over human interaction.  All phones should be collected at the door of churches, theaters and other public meeting places and locked in sound proof boxes to be collected upon exiting.  Phones should be for talking not typing, texting should be limited to five messages per day.  Thumb cuffs should be used on any one exceeding the daily limit.  Messages on phones telling me to leave a message should be short and to the point not long and rambling or cute.  If I wanted cute I’d watch one of those commercials with kids or animals.  I just want you to know I called.  Politicians and religious quacks should not be allowed public air time nor should they be able to have access to the services of the Post Office.  I really have no desire to send either any of my hard earned money.  I really don’t like all those calls soliciting funds for charities that I’ve never heard of.  The National Association of Homeless Handicapped Hangnail Survivors with Diabetic Cats will just have to wait until next year.  I have better things to do, a commercial with that little insurance lizard just came on.  I think he’s cute.

Thought for the week—A clear conscience is the sign of a fuzzy memory.

Until next week, may you and yours be happy and well.

Whittle12124@yahoo.com 



Remember to Subscribe!
Subscription Options

Outdoors with Larry DiDonato - ECO Recruits Start Next Academy on June 2nd

The New York State Department of Environmental Conservation (DEC) recently announced upcoming academies for the newest classes of Forest Rangers and Environmental Conservation Police Officers (ECOs). The six-month training academies will prepare 58 of DEC's newest recruits for careers protecting New York's natural resources in the Division of Law Enforcement and the Division of Forest Protection.

“With new academies on the horizon, DEC is continuing to grow the ranks of New York’s elite force of individuals committed to protecting our environment and public safety,” Interim Commissioner Mahar said. “DEC’s newest ECOs and Rangers will receive rigorous training to prepare them to meet the environmental challenges of today and tomorrow as they continue to uphold the rich and storied conservation legacies of both divisions.”

ECOs, originally called Game Protectors, were first appointed for service in 1880. The first Forest Rangers, originally known as Fire Wardens, were put into service in 1885 when the New York State Legislature established the Forest Preserve of New York State. The 45 ECO recruits scheduled to report to the academy in Oswego, NY on Sunday, June 2th are likely to receive a  rude awakening as they are confronted with a boot camp style academy, complete with drill instructors in full regalia barking orders and maintaining discipline. The ECO training will take place at their Police Training Academy in Pulaski, NY which has served as their home academy for over two decades. 

Forest Ranger training started on May 19th at the State University of New York College of Environmental Science and Forestry (SUNY ESF) campus at Wanakena. 

ECO job duties are centered on the enforcement of New York State Environmental Conservation Law and range from deer poaching to solid waste dumping, illegal mining, the black-market illegal wildlife and pet trade, emissions violations, plus all manner of environmental quality enforcement. They patrol the state on vessels of all sizes, ATVs, snowmobiles, and on foot. In 2023, ECOs and Investigators across the state responded to nearly 31,000 calls and worked on cases that resulted in nearly 16,900 tickets or arrests.

DEC Division of Law Enforcement Director Karen Przyklek said, “In many ways ECOs are the guardians of our environment, enforcing New York’s stringent environmental conservation laws protecting our air, water, fish, and wildlife. I am eager to welcome our next class of recruits and challenge them to put in the hard work and dedication required to become a member of our elite group of Officers who work diligently, around the clock, to safeguard our natural resources and hold polluters accountable.”

Forest Ranger duties focus on the public's use of DEC-administered State lands and easements and can span from patrolling State properties to conducting search-and-rescue operations to fighting wildland fires. In 2023, DEC Forest Rangers conducted 370 search and rescue missions, extinguished 146 wildfires, participated in 52 prescribed fires that served to rejuvenate more than 1,000 acres, and worked on cases that resulted in hundreds of tickets or arrests.

DEC Division of Forest Protection Director John Solan said, "Forest Rangers are among the most prepared wilderness professionals in the country, patrolling more than five million acres of land. They respond to rescue calls at all hours of the day or night and stand at the ready to extinguish wildland fires wherever they’re burning. Forest Rangers do all of this, plus law enforcement, all while protecting New York’s natural resources."

ECOs and Forest Rangers are full-fledged New York State Police Officers, often called upon to support critical police deployments. Forest Rangers and ECOs were among the first responders on the scene to help in the aftermath of Septembe.11th, assisted in the response to Superstorm Sandy, helped in the 2015 search for two escaped felons from the Clinton Correctional Facility in Dannemora, supported New York's statewide response to COVID-19 at testing and vaccination sites. Rangers have traveled to battle wildfires in western states and Canada. Upon graduation, recruits will be assigned patrol areas and join the ranks of hundreds of ECOs and Forest Rangers currently serving across the state.

The ECO recruits in the academy class beginning on June 2nd were selected from an eligible list of qualifications and passing scores generated from the most recent Civil Service exam, given back in December 2022. There are very specific requirements and credentials you must meet and have obtained in order to qualify to take the ECO and Forest Ranger exams. To view job qualifications for ECOs, visit the Environmental Conservation Police Officer job description webpage; for Forest Rangers, visit the Forest Ranger job description webpage. In fact, the filing period to take the current civil service exam for ECOs, Forest Rangers, Park Police and University Police Officers is now open. The deadline to file is July 12th 2024. 

Go to https://www.cs.ny.gov/police/titles/environmental-conservation-police-officer-tr.cfm for more information on how to create a NYS Civil Service account and apply. Good luck in that process, and all the best to the newest ECO recruits about to embark on what promises to be the adventure of a lifetime. I can personally attest that they are beginning a journey into a uniquely exciting, challenging, and rewarding career.  Best of luck to all ECO recruits of the class of “2024”

Happy Hunting, Fishing, and Trapping until next time!

News and Notes…

Outdoor Expo in Mohawk, NY June 8th and 9th 

The Inaugural “Upstate NY Outdoor Expo” will take place on Saturday, June 8th and Sunday, June 9th in Mohawk, NY. The show is billed as offering “all types of outdoor enthusiasts the opportunity to engage with industry product suppliers and dealers, associations and groups.” Hunting, fishing, hiking, kayaking, boating, and snowmobiling are among the activities represented at the event. 

For more information, contact the show sales manager, Matt Stanley at mstanley@leepub.com or Liz Friers efriers@leepub.com or call their main office at 

1-800-218-5586.

Norton Hill Wildlife Club’s 2024 Trap Shooting Schedule 

Trap shooting at Norton Hill Wildlife Club at 946 Big Woods Road in Greenville begins at 10:00 am on the following Sundays: June 9th and 16th, July 14th and 28th, August 4th and 25th, and on September 15th and 29th.  Cost is just $5.00 per round. Bring your own ammo. Trap shooting is open to all; you don’t have to be a member to take advantage of this opportunity. 

Remember to report poaching violations by calling 1-844-DEC-ECOS.

  


Remember to Subscribe!

Subscription Options

MUSINGS OF A LOCAL by Iris Mead - Stone Quarries and Stone Cutters


Measuring the 11 ½ x 11 ½ stone as the pile behind him seems to be the same and when necessary large, machinery was brought in.


Something we don’t think about and take for granted are our stone walkways, stone patios and stone steps.  But where did that stone come from and how did it get there?

Stone quarries still exist, some are hidden under forest cover, have been “worked”, as it is called when the quarry no longer suits the need of the cutter and moves on, or still visible and waiting to be worked again.  Many still exist in this area, waiting to be “worked”. A lot of men in the area worked in stone cutting as a side job to make extra money.  They would sell it themselves or to someone else who would then market it.  My uncle, Virgil Mead, and my father, Stanley Mead, cut stone in the summer for many years. Following in Virgil’s footsteps his sons worked alongside him and earned enough money to put them through college.  Virgil purchased the old Sheffield Creamery in Halcottsville where he bought and sold stone from the local quarries to companies in the Hancock area, New Jersey and Long Island.  Tractor trailers would load pallets, usually 1-1/2 ton, pay by the square foot or stone size, and take them for resale.  After the sale of the creamery, he sold stone in front of the Round Barn farm outside Halcottsville for many years.  The Hancock area was and is still known for stone products.  An interesting fact is that while stone is sold by the square foot, it is cut to 15-1/2”x15-1/2” to allow for a mortar joint.  

Finding a quarry involved a lot of luck, as well as experience.  My cousin related a story of how his brother discovered a usable quarry while fox hunting and they worked that quarry. Another quarry was located in an area owned by four different landowners.  Each man struck a deal with the landowner on whose land he was quarrying.  Most quarries are old ones that are rediscovered and usually have some types of stone that can still be reworked.  One indication of a quarry are lines in the rock formation that look like sheets of plywood stacked together.  The old-timers referred to the three major portions of a quarry as (1) Top, which was blown off, (2) Bed, often was too rough to bother with, and (3) Bottom, unusable.  The best stone was usually in the back of the quarry and was thicker and quarried first.  Air chisels were used in the quarries to cut the stone, rendering a loss of hearing to some of the cutters later in life.

Sometimes blasting had to be done to uncover what was below.  A long-time stone cutter said he used to send his wife to Hancock to pick up 100 dynamite sticks, which were put in a cardboard box in the back seat of her car, and blasting caps and wires, which she had in the front seat with her, and then drive back to Halcottsville.  Can you imagine that today!  All they had to do to get a permit to blast was go to the Town Clerk’s office, answer 9 questions “No” and one question “Yes”, pay $.50 and they had their permit.  Nowadays you have to get a permit from the Bureau of Mines.  

Today, there are many old quarries scattered around the area waiting to be worked again, but there are few people left who know this art and want to put in the time and heavy work to do it.

My thanks to Dennis Speilman and Richard Meade, who were young stonecutters trained by their fathers, and John Biruk, still cutting stone today, for their help in gathering information for this article.


Remember to Subscribe!
Subscription Options

Cairo-Durham Central School District Announces Karen Gallo as April 2024 “Mustang Monthly Alumni Spotlight” Recipient


CAIRO – The Cairo-Durham Central School District is proud to announce the March 2024 recipient of the “Mustang Monthly Alumni Spotlight” is Karen’s Flower Shoppe owner Karen Gallo (‘79). 

Gallo, whose Cairo-based business has been a staple to the community for 40 years, has continued to leave a positive impact on those she interacts with since graduating from Cairo-Durham. Today, Gallo can be seen as a board member of Greene County Chamber of Commerce and putting beautiful arrangements together for customers to celebrate momentous occasions. 

“Networking with other businesses, I’ve come to realize through the years how many locally owned businesses can survive and make a living in our hometowns. Many of these businesses are owned and operated by Cairo-Durham graduates,” Gallo said. “In my particular type of business, I’m able to make people smile and bring happiness into their lives on a daily basis. Whether it’s a new birth, birthday, graduation, wedding, anniversary or any occasion for gift giving, flowers are given to celebrate.” 

Gallo recalls being an active participant in activities and clubs at Cairo-Durham High School, including being the class treasurer in her junior and senior years, scorekeeping for the girls volleyball team, playing in the high school band, singing in the chorus and being an active cast member in plays and musicals. 

Additionally, Gallo had the opportunity in high school to study horticulture under the Greenville Central School District’s BOCES program for two years, jumpstarting her passion for the field. Gallo said her time as a Mustang was a memorable experience that shaped her for her career path and life of leaving customers satisfied with products she takes great care of in preparing. 

As a Cairo-Durham student, I enjoyed my years as a Mustang. I was given the opportunity to interact with the most devoted and kind teachers. We respected our teachers, knew our principal and knew we would always be safe,” Gallo said. “There isn’t a thing I could complain about, it was truly a great experience and I wouldn’t change my high school years for anything.”

After establishing herself as a friendly and trustworthy face in the community, Gallo left some words of encouragement and advice for future generations of Mustangs. 

“Learn the most you can in high school and pursue your dreams,” Gallo said. “There are so many avenues to explore these days, so learn and turn your ambitions into reality.” 

In an effort to bridge the community and the Cairo-Durham Central School District, the “Mustang Monthly Alumni Spotlight” was created to provide an opportunity for community members to nominate members of the Cairo-Durham Class of 2018 or prior who have made an impact in the community, embrace Cairo-Durham pride and serve as role models to future generations of Mustangs to be recognized on the District’s platforms. 

Nominations for the May 2024 “Mustang Monthly Alumni Spotlight” are officially open and can be submitted at the link below by Friday, June 14, 2024 at 3 p.m. Past nominations will also be considered in the selection process. Click here to submit a nomination for May 2024. 


Remember to Subscribe!
Subscription Options

The Best of the Summer

Donate to Support Local Journalism

CONTACT US:


By phone: 518-763-6854 or 607-652-5252
Email: mountaineaglenews@gmail.com
Fax: 607-652-5253
Mail: The Mountain Eagle / PO Box 162 / Schoharie NY 12157

https://www.paypal.com/biz/fund?id=M6592A5TZYUCQ

Subscribe!

Site Archive

Submit your information below:

Name

Email *

Message *