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MUSINGS OF A LOCAL By Iris Mead - ROSE BOWL PARADE REWIND

Written By The Mountain Eagle on 1/9/26 | 1/9/26

This year’s Rose Bowl Parade from Pasadena was as strikingly beautiful as we expect it to be.  I am amazed at how the float designers come up with bigger and more beautiful designs every year.  For us who only get to watch it on television and are not privy to seeing the floats up close and smelling the scents wafting from them, we can only imagine how much time and care went into the finished product.  The announcers tell us how many man hours it took, the type of flowers used and the number of volunteers it took to complete the design.  Some of the floats require major construction ahead of time before the process of putting the flowers on can begin.  Next year’s plans and designs are started shortly after the parade is over.

As a child, I watched the parade in awe on our small black & white t.v. always promising myself that someday I would be there in person (an early version of a bucket list).   I eventually did get there, many years later and watched from the stands as the B-2 Bomber silently glided down Pasadena Avenue to ooh and ahs until the sonic boom hit and made us jump.  The B-2 would again fly over the Rose Bowl Stadium during the game.  This year due to the heavy rain in the area, it did not lead off the parade but did fly over the stadium at half time.  The B-2 Bomber flies into Pasadena from Whitman Air Force Base in Missouri, over 1600 miles away timing their arrival precisely at 8:00 a.m. to start the parade.

Shortly after color television was introduced when not many in our area could afford one, the local television repairman invited the community to watch the Rose Bowl Parade IN COLOR. He had purchased a color t.v. and thought that showing the parade in color would be a gift to the community and possibly help him sell color t.v.’s.  He chose the Halcottsville Grange Hall.  l remember many people showing up before the 11:00 a.m. parade start in anticipation of seeing it in color for the first time.  The television sat on a low stage and chairs were set up facing it.  There was excitement in the air and probably lots of food to share.  Even as a small child, I was awestruck and excited to see the exotic flowers and plants in color since many of them were not familiar to us on the East Coast.  

Every year when I get ready to watch the parade, that experience as a small child experiencing the beautiful parade IN COLOR has remained with me all these years.  And, yes, my father went out and purchased a color television shortly thereafter.


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‘Sunny but Cold: Diaries of Farm Women’ Opens at the Roxbury Arts Center

Cold but Sunny

Farmer women assemblage with high chair parts

McFerran, planting embroidery book


ROXBURY — Roxbury Arts Center presents "Sunny but Cold: Diaries of Farm Women," a new exhibition by local artist Mary McFerran opening Saturday, January 24, 2026, with artist reception from 3-5 PM. The exhibition remains on view through March 14, 2026, at the Roxbury Arts Center’s Walter Meade Gallery, 5025 Vega Mountain Road, Roxbury, NY.  For more information, visit roxburyartsgroup.org.

As McFerran writes on this exhibition, “‘Sunny But Cold: Diaries of Farm Women’ illuminates the often-unseen labor of women on New York State farms. Drawing on 19th- and 20th-century diaries, the project reveals daily life recorded in brief notes on weather, chores, family care, and community events—testimony to women’s endurance and quiet optimism.

Working from archival photographs, including WPA images from World War II, I translate these histories into textile collages, embroideries and drawings. Using unbleached or eco-dyed fabrics, antique tools, and a mobile of sewn paper scraps noting the weather, I create a visual narrative that echoes the materials, routines, and voices preserved in the diaries.”

Mary McFerran creates fiber collages and installations that tell stories, often centering on women’s lives and social issues. Since relocating from Westchester County to the Catskills, her practice has been deeply shaped by immersion in the natural world. She now incorporates eco-dyeing, plant matter, and found materials into her work, continuing a long-standing interest in reinterpreting textiles and women’s labor.

McFerran discovered the expressive potential of textiles while living in London in 2010, when an embroidery class revealed stitching as another form of line-making. This revelation opened the door to her enduring passion for fiber arts. Earlier in her career, she worked in video, organizing installations in unexpected urban spaces as part of the NYC downtown art group COLAB. Collaboration and community engagement have remained central throughout her practice: from co-founding the Peekskill-based artivist group In_Question (2017) to curating exhibitions at Croton Free Library (2017–2023) and exhibiting with BAU Gallery in Beacon (2022–2024).

Her work has been shown widely, including at Roxbury Arts Group (NY), ArtUp (NY), Pelham Arts Center (NY), Ceres Gallery (NYC), Silvermine Gallery (CT), The Hammond Museum (NY), and internationally at the Korea Bojagi Forum (South Korea) and St. Pancras Church Crypt Gallery (London). Her videos have screened at The New Museum, MoMA, and Anthology Film Archives (NYC), and her work is held in the collections of MoMA, the Video Data Bank in Chicago, and private collectors.

McFerran holds an A.A.S. in Fashion Merchandising (F.I.T.), a B.S. in Art Education (Empire State College), an M.A. in Printmaking (University at Albany), an M.F.A. in Expanded Arts (Ohio State University), and an M.S. in Educational Technology (N.Y.U.).

Our exhibition programs are generously supported by Roxbury Wine & Spirits. All programs offered by the Roxbury Arts Group are supported by the New York State Council on the Arts with the support of the Office of the Governor and the NYS Legislature, the A. Lindsay and Olive B. O’Connor Foundation, the Robinson Broadhurst Foundation, The Community Foundation for South Central New York, the Tianaderrah Foundation, The Delaware National Bank of Delhi, and individual supporters.


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How MARK Lifted the Central Catskills This Past Year




The Roxbury Arts Group Before and After a New Your Main Street Grant


Submitted by Peg Ellsworth

In these challenging economic times, our communities have continued to move forward and create positive change. This past year has been one of the most transformative in the history of the MARK Project. Across the Central Catskills—in every valley and on every Main Street we serve—there has been a shared sense of rebuilding, imagining, and rising together.

In 2025, MARK continued critical recovery work following Tropical Storm Debbie and provided resources for much-needed repairs to income-eligible, owner-occupied homes. At the same time, we remained focused on restoring iconic historic spaces and revitalizing Main Streets, strengthening the local workforce, and expanding housing opportunities that will support our region’s growth in the years ahead.

Throughout it all, the MARK Project has acted as both a steady hand and a visionary partner—unwavering in our belief that small rural communities can thrive when they are given the tools, resources, and dignity they deserve.

In the wake of Tropical Storm Debbie, MARK became a lifeline for homeowners who had lost so much, stepping in as the region’s trusted disaster recovery administrator. Through the Resilient & Ready Home Repair Program, we guided families through insurance hurdles, damage assessments, and construction processes, delivering up to $50,000 per household to restore safety and habitability. At the same time, our ongoing Community Development Block Grant programs in Middletown and Roxbury helped preserve existing housing stock by providing income-eligible homeowners with essential resources to repair and maintain their full-time residences. For many families, these repairs made the difference between staying in the communities they love and being forced to leave.

We also invested in the people who keep our homes and neighborhoods safe. With support from New York State Homes and Community Renewal, and in partnership with Western Catskills Community Revitalization Corporation, RUPCO, Delaware Opportunities, and Schoharie County Rural Preservation Company, MARK helped certify dozens of contractors, supervisors, and firms in EPA-required lead abatement. This effort not only expands local workforce capacity but also ensures that federal housing repair dollars can flow more quickly, safely, and efficiently into our communities for years to come.

Housing—long one of our region’s greatest challenges—also saw meaningful progress. Through the work of MARK’s Housing Development Coordinator, we identified multi-site housing opportunities, supported the rehabilitation of 10 Church Street, and laid the groundwork for new rental units and vacant-property revitalization across our service area. These projects, while complex, reflect a simple truth: our communities cannot grow unless the people who work here, teach here, and raise families here can afford to live here.

The Inn at Kirkside—a project years in the making—moved from vision to construction, supported by strong state, local, and community investment and partnership. Soon, the historic Kirkside Mansion will stand as a teaching kitchen, restaurant, and hospitality training center where residents can learn, work, innovate, and launch new careers. The redevelopment of Kirkside is not simply a construction project; it is an act of stewardship—honoring the past while preparing the next generation for meaningful opportunities, advancing green technologies, and supporting sustainable food systems.

Over the past several months, the MARK Project has also been helping prepare the communities of Grand Gorge and Roxbury as they await project contracts associated with their 2024 $10 million Downtown Revitalization Initiative (DRI) award. In addition, we submitted several grant applications throughout the year. While not all were successful, we continue to revisit and resubmit applications when appropriate, and we worked collaboratively with the Village of Margaretville on its NY Forward application and other funding opportunities.

While strengthening the hands-on work of construction, planning, and development, we also embraced the future. Once again with the assistance of New York State Homes and Community Renewal, our AI Workshop for small businesses and nonprofits brought national expertise to Margaretville, offering practical and accessible tools to help local organizations adapt, innovate, and become more resilient.

Across all of this work, one theme has remained constant: collaboration. From Town and Village boards to state agencies, from local business owners to long-standing community volunteers, none of these accomplishments belong to MARK alone. They belong to all of us—each person who showed up, shared ideas, pushed through obstacles, and believed that our region deserves to thrive.

As we look to the year ahead, we carry this momentum forward with gratitude and purpose. Upcoming work includes a newly funded Fleischmanns Main Street Program, a Vacant Rental Rehabilitation Program serving the entire region, the 10 Church Street rehabilitation, the Grand Gorge–Roxbury Small Project Fund, the Grand Gorge–Roxbury Streetscape Project, and Civic Center Rehabilitation as part of the larger DRI award.

Together, we are rebuilding more than structures—we are strengthening community, expanding opportunity, and shaping a future worthy of the place we call home.

In closing, MARK will always respect the public’s right to ask questions and expect transparency from community organizations. At the same time, we encourage responsible dialogue rooted in facts. If you have concerns, we invite you to reach out to us directly through the appropriate channels. We remain firmly committed to ethical governance, transparency, and serving our community with integrity.

Here’s to a happy and healthy 2026.


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LONGYEAR GALLERY: “MEMBERS’ WINTER GROUP EXHIBITION” - LONGYEAR GALLERY, JANUARY 9th – FEBRUARY 8th, 2026 OPENING RECEPTION: SATURDAY, JANUARY 10th from 3-5 p.m.

Buckwalter, Robert, A Path in the Grass

Helane Levine-Keating, Oracular Wisdom

Lorenz, Patrice, Flurry, Mixed media on paper

Powell, Lesley A., Flowers Whisper Hello, Encaustic


Longyear Gallery of Margaretville is pleased to announce the opening of “Members’ Winter Group Exhibition.” Opening on Friday, January 9th, this exhibition will run through Sunday, February 8th with the Opening Reception on Saturday, January 10th from 3-5 p.m. 

Longyear Gallery’s “Members’ Winter Group Exhibition” offers an opportunity to view a variety of works in different media by Longyear’s current 34 members. The engaging work of member artists varies in style and vision representing a large range of media, including oil paintings, pastels, watercolor, mixed media, photographs, collages, gouaches, pencil drawings, ceramics, acrylics, and monotypes. Member artists include Robert Axelrod, Joanne Barham, Marion Behr, Temma Bell, Robert Buckwalter, Marcia Clark, Ray Curran, Neil Driscoll, Gail Freund, Ann Lee Fuller, Irina Grinevitsky, Robin Halpern, Louise Kalin, Hedi Kyle, Linda Lariar, Margaret Leveson, Helane Levine-Keating, Patrice Lorenz, Ron Macklin, Anthony Margiotta, Mary McFerran, Sheila McManus, Richard Kirk Mills, Bonnie Mitchell, Wayne Morris, Alan Powell, Lesley A. Powell, Deborah Ruggerio, Victoria Scott, Michelle Spark, Sara Stone, Gerda van Leeuwen, Rosamond Welchman, and Lynn Woods.

Future  winter and early spring 2026 Longyear Gallery exhibits include “Members’ Late Winter Exhibit” accompanied by “Mary McFerran” New Member Introduction Exhibit” running from Friday, February 13th through Sunday, March 15th with the opening reception on Saturday, February 14th from 3-5 p.m. Opening on Friday, March 20th  and running through Sunday, April 19th, with the opening reception on Saturday, March 21st from 3-5 pm, will be a Special Exhibition: “DRAWING – Take a Line for a Walk,” accompanied by a Members Group Show of Longyear members who are not participating in the Special Exhibition.

Longyear Gallery is located Downstairs in The Commons, 785 Main Street, Margaretville. The gallery will be open from 11 a.m. - 4 p.m. Fridays, Saturdays, and Sundays. For information, please see Longyear Gallery’s website, www.longyeargallery.org, email the gallery at info@longyeargallery.org, or call 845.586.3270 during gallery hours. 




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THE CATSKILL GEOLOGISTS BY PROFESSORS ROBERT AND JOHANNA TITUS - “It’s dead, it’s in the Middle of the Road and it’s Stinking to High Heaven.” Part One: the Hypothesis.

Not many people remember Loudon Wainwright’s 1972 masterpiece “Dead Skunk in the Middle of the Road” but we do and, oddly, it triggered some thoughts about one of the great theories of science. That is Charles Darwin’s theory of evolution. One of us, Robert, has published several peer-reviewed journal articles about evolution in the fossil record and both of us can rightfully call ourselves evolutionary biologists. The dead skunk tune seems an unlikely lead-in to serious work about such important science, doesn’t it? But give us a chance; we are serious about this. And also, we have enlisted help from many of our facebook page members (perhaps you folks?) in doing the work that is about to unfold.

                                       A animal on the road

AI-generated content may be incorrect.

   Scientific theories always begin with a scientist finding an interesting, even appealing question or puzzle. Then they gather all the pertinent information that they can find. Soon, it is only natural that they come up with one or more possible solutions. Each of these might be called hunches or educated guesses, but scientists like to call such ideas “working hypotheses.”

   That puzzle is the starting point so let’s indeed start ours in this column. We recall that when we were growing up during the 1950’s and 1960’s that we saw dead woodchucks (AKA groundhogs) up and down all the many roads of northern New Jersey. But nowadays, we hardly ever see any. Why is that? That’s our question, our puzzle. Is there something to this?

    We had long known that during the late 19th Century people routinely shot very large numbers of groundhogs, including one of our favorite authors, John Burroughs. He, famously, blasted away at his family home “Woodchuck Lodge” in Roxbury. Our grandparents told us that they had hardly ever seen any of them in the early 20th Century but that they started to get frequent, once again, in the 1920’s. So, simultaneously, both autos and groundhogs were becoming common during the middle 20th Century. A large population of groundhogs had evolved long ago, in the absence of cars, and now they were scurrying out onto the highways, completely oblivious to the danger. Big surprise: many, many of them died out there. That’s what we remember. Could that have completely done in the woodchucks?

    That’s where Charles Darwin enters the story.  Darwin’s theory makes a prediction. If there is a cohort of groundhogs that is wary of highways and cars, and if that wariness is genetic, then those animals will survive and as the generations pass by, they and their genes will be the ones who carry on the lineage. Road-wary groundhogs will evolve! Could it be that which has restored our modern large populations? Well, that was our hypothesis. This was not likely to become a foundational concept in broader evolutionary theory. In fact, it is a pretty goofy idea, but it just might be a fun idea for two scientists to toy around with. We scientists are like that.

   But the second step of the scientific method is to learn as much as you can about the problem. And the third step is to develop alternative hypotheses. We needed help in these areas, so we went online to our facebook page, outlined our thinking and asked if people knew things and had alternative hypotheses. They did. Let’s come back next week and continue our journey into possible solutions. Sure, it is a goofy idea, but it is also a pretty good illustration of scientific thinking in action, something that is always important to the two of us in writing these columns.

   Contact the authors at randjtitus@prodigy.net. Join their facebook page “The Catskill Geologist.” Read their blogs at “thecatskillgeologist.com.” But mostly run a search on Loudon Wainwright!


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Audubon Chapter to Present on Birds, Climate, and Conservation

Canada Geese at Montezuma. Photo credit: Sydney Walsh

Montezuma Audubon Center staff Abby Kress and Cassidy Attanasio enjoy a great day of paddling and birding on the canal. Photo credit: Chris Lajewski/Montezuma Audubon Center



By the Delaware-Otsego Audubon Society

ONEONTA — On Friday, March 20 at 7:30 p.m., the Delaware-Otsego Audubon Society will host Abby Kress from the Montezuma Audubon Center for an engaging presentation via Zoom exploring the fascinating lives of birds and the challenges they face in a changing world. Learn how habitat loss, climate change, and human activity are reshaping migration patterns and bird populations - and discover how conservation efforts and community action are making a difference. This program will highlight stories from Montezuma's wetlands and offer practical ways we can all help birds thrive.

Abby Kress is the Senior Associate for Community Conservation Programs at the Montezuma Audubon Center, where she leads educational initiatives and habitat stewardship projects across the Finger Lakes Region. With a background in environmental education and a passion for connecting people to nature, Abby works to inspire conservation action through hands-on experiences and storytelling. She is based in Brighton, NY, and enjoys birding, hiking, and exploring the natural world. 

Those interested in joining the presentation can register at the following URL: https://tinyurl.com/y7ube3zh



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BOCES Career Fairs Afford Employers Opportunities to Meet their Workforce Needs

ALBANY/SCHOHARIE – Capital Region BOCES provides a “pipeline” of skilled workers that supports the regional economy and ensures the workforce is recharged annually during several career fairs sponsored by BOCES. 

From airlines to healthcare facilities, automotive dealerships to state agencies, a wide array of business recruiters will be on hand to engage students in the hiring process.

“These events are great because it gets us name recognition with the students for when they want to start building their career,” said John Colinas, Service Manager for the Kenworth Northeast Group Inc.

Students and graduates say the career fairs gave them bright futures.

“I was able to make a lot of important connections [in the industry] when I was at BOCES. I went to a lot of job fairs BOCES put on, met with businesses who came to our program and took part in work-based learning through BOCES,” said Class of 2024 graduate Jarand “J.J.” Jackson, who is a heating and cooling technician with Crisafulli Brothers Plumbing.

Class of 2022 graduate Tom Rodick sounded a similar message.

“BOCES connects education with everyday life and gives you the skills you need to succeed,” said Rodick, a graduate of the Network Technology program who was hired by BBL Construction Services.

The career fairs for BOCES students will be held on the following dates:

March 2 – Cosmetology Career Fair at the Career and Technical Education Center - Albany Campus, 925B Watervliet-Shaker Road, Albany, from 8:30 a.m. to 12:30 p.m.

March 20 – Career and Technical Education Center - Albany Campus Career Fair, 925B Watervliet-Shaker Road, Albany, from 8:30 a.m. to 1 p.m.

March 25 – Career and Technical Education Center – Schoharie Campus Career Fair at 174 State Route 30A, Schoharie, from 9 a.m. to 2 p.m.

April 2 – A career fair specific to the Heating, Ventilation, Air Conditioning and Refrigeration (HVAC/R) industry, at the Career and Technical Education Center - Albany Campus, 925B Watervliet-Shaker Road, Albany, from 4 p.m. to 6 p.m.


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A CONVERSATION ABOUT Bees



This week it’s the bees. I sometimes wonder, as I apply my local honey to my toast, what the bees are doing right now. Luckily for me, Master Gardener Volunteer Linda Aydlett has all the answers in a series of chats incorporated in the podcast “Nature Calls: Conversations from the Hudson Valley”. It’s called “Hum of the Hive” and is inserted into episodes 1,6,11,16,22,27 and 34.

 My jaw drops every time I listen to this description of honeybee life. Here’s the story about their winter life. They cluster in a ball inside their hive. The warmest are on the inside, of course. But I never knew there were “warmer bees”. This describes the innermost bees within the cluster. I never knew bees could detach their wings! They take off all four of their wings and begin to shiver. On purpose. This is to generate enough heat to survive. Meanwhile the bees on the outside of the clump subside into a state of torpor, kind of like a coma. They don’t remain out in the cold to die, however. The bees rotate themselves, exchanging the colder ones to the inside to revive and become warmer bees, too. This continues until the outside temperature is survivable, when apparently the bees strap their wings back on and resume their lives.

The role of the queen bee is way more complex than we assume from Disney movies. There is all the drama of a telenovela and sometimes it seems there is magic involved… at least to my mind. Start with the fact that the queen bee is not in charge of anything. She can’t even do anything for herself. She has worker bees following her around to groom and feed her while she roams the hive seeking empty cells prepared for her to lay eggs into. She doesn’t even get to decide which eggs will be male or female or successor queens. The worker bees that build the cells decide. And the story that a hive can have only one queen isn’t always accurate, either. Sometimes in an emergency a bunch of are started by nurse bees and actually duel it out for the job. There’s hunting and sting and piping war cries involved. A queen doesn’t have the problem of a sting causing her own death, like the worker bees do. Sometimes two queens can coexist for a little while, if conditions are prosperous, but once it gets too crowded, the “extra” queen leaves home with an entourage.

Now begins the infamous swarm. The overpopulation bees and their queen head out to find a new home. These are the origin of the pictures we see with masses of bees dripping off some object. The television coverage often adds the sound effect. A swarm of bees can sound like a distant tractor trailer passing. Once I followed such a sound to my backyard where I found a swarm dangling off a maple sapling, bowing it nearly to the ground. These are probably the calmest bees you’ll ever experience, because before their flight they all fuel up and have full tummys. Don’t panic, but don’t disturb them, either. Call your local Cornell Cooperative Extension office and they can refer you to a local beekeeper. Most nurseries and garden centers are also aware of local beekeepers. Once you contact one, they can come and remove the bees for you. Often you’re gifted a jar of honey from the beekeeper’s stock, because he or she will be making a new home for the bees and putting them to work. 

Linda has several more chats where she discusses other specifics of the life of a bee. We learn about such things as particular roles of worker bees as they get “promoted” from house bee to field bee in their short lives. We can learn about royal jelly and propolis and what a dearth is. Statistics like the distance a bee flies in a day are astonishing, or the lifespan of a bee, or the number of trips it takes to produce a teaspoon of honey. And you haven’t lived until you hear Linda’s description of a bee dance!

The CCE website, https://ccecolumbiagreene.org/gardening/nature-calls-conversations-from-the-hudson-valley/episode-one-a-conversation-starter, opens at the index page for the podcast. Transcripts are available on the site for episodes through episode 27, if you’d rather read the segments. But you’re missing a treat if you don’t listen into at least one of Linda’s chats. Her enthusiasm is contagious.

Well, I’m out of space for now. Another time we’ll discuss native bees. Did you know the ubiquitous honeybees aren’t native, but introduced by settlers? And feel free to contact a Master Gardener Volunteer with any gardening questions at columbiagrenemgv@cornell.edu.



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Whittling Away with Dick Brooks - Animals

I know I’ve said it before, but I like animals.  I will frequently read articles about them in the magazines I come across in the medical waiting rooms.  I have several critter books in my library and frequently can be found watching The Animal Channel, The Discovery Channel or The Learning Channel, all of which have some good shows about animals.  I’ve even found some excellent programs on PBS although it’s hard to find them hidden among the British soap operas and comedies that all seem to have some character named Reginald.  They don’t have commercials on PBS, just fundraisers that last for weeks and promise that if you join at the forty dollar level, they’ll send you a CD of the Peruvian Pan Flute Orchestra playing selected Bagpipe favorites.  I prefer commercials.  They do have some great animal shows though, I found one the other night dealing with the mating habits of the artic anteater that was very interesting but something about it just didn’t seem right.  I finally figured it out, the young man narrating the show was dressed in jeans and a polo shirt.  That made me doubt the authentic nature of the knowledge he was spouting.  If he really knew what he was talking about, why wasn’t he dressed in khaki?  Maybe it’s just me, but if you’re supposed to be an animal expert, isn’t there a law or something that says you have to be dressed forehead to toe in khaki?

I think it all started years ago with Marlin Perkins on Mutual of Omaha’s Wild Kingdom.  That was the first animal show I remember watching.  Marlin looked crisp and clean in his khaki outfit.  I always thought he had stolen the look from the old Stewart Granger safari movies and had just left off Stewart’s ascot.  I remember being disappointed as a child that he was never armed with one of Stewart’s elephant guns, the man had an arsenal of the biggest rifles I’d ever seen.  I never remember Marlin packing a gun, but looking back on the show, he never really needed one, he had Jim.  Marlin was an old guy that weighed probably a little over a hundred pounds soaking wet, but he was the brains of the outfit.  Jim was big and brawny but not too bright.  He dressed in khaki too. 

Marlin would introduce the show and tell about the animal of the day.  They would track the beastie to its lair, Marlin would sic Jim onto the critter and as poor Jim wrestled the python or alligator to the death, Marlin, looking clean and crisp, would cut away to a commercial for Mutual of Omaha.  Commercial over, the camera came back to a bruised and battered Jim, looking a little confused, holding the animal of the day for a close up so Marlin could tell us more about it.  

I learned a lot about animals and life from that show.  It spawned a bunch of other khaki covered experts.  My personal favorite was The Crocodile Hunter.  The host, Steve Irwin, dressed from head to toe in khaki which showed that he was an animal expert, in fact he swam in his khaki shorts and shirt, surfed, skied and probably slept in them.  It was a great show and since Steve was his own Jim, probably cost less to produce.  

I think I could probably do my own animal show, all I need is a khaki outfit.  I saw on Facebook a week or so ago  that Jim had passed away.  I’m not jumping on any animals, are you doing anything this weekend?

Thought for the week--The female of all species are most dangerous when they appear to retreat.  –Don Marquis

Until next week, may you and yours be happy and well.

Whittle12124@yahoo.com 


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INTERGALACTIC ATHLETES

By Kirby Olsen



Flying saucers hovered


as aliens questioned their own


lackadaisical physical exertion.


Their butts resembled Pringles


and their noses Cheetohs.


After millions of miles in the Milky Way


they found a dairy farm


near Delhi, NY.


Dogs barked, cows mooed.


Farm boys threw a round ball


in a hoop.


One kneed another in the groin,


and went in for a lay-up.


The aliens called Next!


Balancing the ball on one of three noses


they played until nightfall;


they popped tabs on a beer to celebrate their win;


and shot back into the inky sky.


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